HeyJaredJorge S. Arango
- Indexed articles, last 90 days
- 11
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Central Maine
- Top 500K sites
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- Jul 15, 2026
Latest articles
Portland art exhibit contrasts 2 artists with a shared language in color | Column (opens the original)
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Hot on the heels of the Impressionist and post-Impressionist movements in France, the painter Paul Sérusier founded Les Nabis, an almost devotional brotherhood of Symbolists who believed that usual modes of articulation and understanding had greater underlying powers that were elusive to most people (read: anyone who lacked the depth of what they perceived as their own spiritual profundity). Sérusier and fellow Nabis painters — Pierre Bonnard, Maurice Denis, Édouard Vuillard and others — determi
Fall art exhibits lean into retrospectives (opens the original)
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Autumn this year is apparently a time for retrospectives. Many, though not all, museums in the state are focusing their curatorial energies on revisiting, reappraising — and at times recontextualizing — the work of individual artists. The most comprehensive, arguably, is the doubleheader on Carl Sprinchorn, which began at the Ogunquit Museum of American Art in early August and continues through November 1 and overlaps with another Sprinchorn retrospective at Bates College Museum of Art (Oct. 1 t
Fall art exhibits lean into retrospectives (opens the original)
Read excerpt
Autumn this year is apparently a time for retrospectives. Many, though not all, museums in the state are focusing their curatorial energies on revisiting, reappraising — and at times recontextualizing — the work of individual artists. The most comprehensive, arguably, is the doubleheader on Carl Sprinchorn, which began at the Ogunquit Museum of American Art in early August and continues through November 1 and overlaps with another Sprinchorn retrospective at Bates College Museum of Art (Oct. 1 t
Fall art exhibits lean into retrospectives (opens the original)
Read excerpt
Autumn this year is apparently a time for retrospectives. Many, though not all, museums in the state are focusing their curatorial energies on revisiting, reappraising — and at times recontextualizing — the work of individual artists. The most comprehensive, arguably, is the doubleheader on Carl Sprinchorn, which began at the Ogunquit Museum of American Art in early August and continues through November 1 and overlaps with another Sprinchorn retrospective at Bates College Museum of Art (Oct. 1 t
PMA’s Winslow Homer exhibit recasts the artist in a fresh medium | Column (opens the original)
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There are so many levels of wonderful (and wonderment) in the Portland Museum of Art’s current major exhibition, “Winslow Homer: Painter, Etcher” (through Oct. 18), that it’s hard to know where to begin. It is a rare show indeed, one that merits frequent return visits, which I can guarantee will unfold new discoveries each time. But you have only until its closing to enjoy the show, as this is, unfortunately, its only venue. After it closes, loans like the Clark Institute’s “Undertow” of 1886 an
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