HeyJaredVeronica Simpson
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 8, 2026
- Outlet visibility, for Studiointernational
- Top 5M sites
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- Aug 17, 2026
Latest articles
Isabel Nolan â interview (opens the original)
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Spending an hour in the company of the Irish artist Isabel Nolan (b1974, Dublin) is like a deep dive in time, illuminated with visits from some of the key figures, events and forces â natural, scientific, religious - that have shaped our planet and our culture. She is fascinated by the imagery that has been used to educate/manipulate us over the centuries and seeks to âinstrumentaliseâ it to conjure her own fables and mythologies, exploring who we are and how we got here, across photograph
Between Dreams and Reality: Stories from the Tangen Collection (opens the original)
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Between Dreams and Reality, installation view, Kunstsilo, Kristiansand, Norway, 2026 © Tor Simen Ulstein / Kunstsilo. Kunstsilo, Kristiansand, Norway 11 June 2026 – 3 January 2027 I had been hoping to visit Norway’s newest art museum, Kunstsilo, since reading about it before its opening in 2024. There is something deeply totemic about retaining monumental post-industrial buildings in a landscape that was once all about trade and shipping but is now being reclaimed as civic space. And, when adapt
Chitra Ganesh: Journey to the Great Below (opens the original)
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Chitra Ganesh: Journey to the Great Below, installation view, Baltic Centre for Contemporary Art, Gateshead, 2026. Photo: Tom Carter © 2026 Tom Carter & Baltic Centre for Contemporary Art. Baltic Centre for Contemporary Art, Gateshead 4 July 2026 – 17 January 2027 Baltic really knows how to go all out for an immersive experience when the artist is willing. In a spectacular set that felt like a lost necropolis, Ali Cherri’s 2025 show How I Am Monument asked important questions about the value of
Brusk Museum, Bruges (opens the original)
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Brusk Museum, Bruges. Image courtesy Brusk Museum. It is a rare museum that inserts 9,500 sq metres (102,257 sq ft) of unashamedly contemporary, glass, concrete and steel into the medieval heart of a Unesco world heritage site, but the new Brusk museum in Bruges has done exactly that. When I first visited Bruges, two years ago, my impression was of an ancient city pickled in aspic: endless, narrow, cobbled streets; tiny terraces of picturesque brick cottages; canals and ornate bridges; glorious
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