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- Indexed articles, last 90 days
- 5
- Latest publication
- Oct 1, 2026
- Outlet visibility, for Aol
- Top 10K sites
- Earliest in this view
- Jul 31, 2026
Latest articles
âA saving gestureâ: the art exhibition spotlighting US prisonersâ creations (opens the original)
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A trio of shows at Michiganâs Grand Rapids Art Museum humanizes people who are incarcerated and celebrates the resilience of creativity With nearly 2 million people behind bars, America is the global leader in incarceration. When you look at it per capita, we have the highest rate of incarceration of any independent democracy and rank fourth overall in the world, just behind El Salvador, Cuba and Turkmenistan. Despite these troubling numbers, mass imprisonment is largely invisible. âOur carc
Skyscrapers and smokestacks: the grittier side of Georgia OâKeeffe (opens the original)
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Beyond her famed paintings of flowers and landscapes, the American artist created stunning studies of urban architecture Georgia OâKeeffe is celebrated for her ethereal depictions of flowers, sunlight, landscapes and animal bones, their gracefully swooping forms dripping with organic curves and seemingly on the verge of melting before our eyes. Such an approach would seem to be quite at odds with the firm, straight lines of farmhouses and barns, to say nothing of the electrified skyscrapers of
âShe had this divine callingâ: the incredible and transporting art of Minnie Evans (opens the original)
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Just over 50 years after she was one of the first Black artists to have a solo show at the Whitney, the museum gathers some of her most remarkable paintings for a new exhibition Surprisingly, the term âoutsider artâ was coined fairly recently â in 1972, when the art historian Roger Cardinal made it the title of the book with which he introduced the idea to the English-speaking world. Since then, debates have raged as to whether itâs really justified to use such a term to describe art mad
From Felix the Cat to MTV: MoMA explores a century of animation - AOL (opens the original)
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Although the word “animation” may bring to mind rascally, anthropomorphic bunnies, cats and ducks doing outlandish things, the truth of the medium’s diversity goes far beyond these few recognizable brands. According to MoMA curator Ron Magliozzi, whose new show covering 100 years of animation, It’s Alive!, debuts this week, the field may have emerged with character-based, Disney-fied offerings, but it took a hard turn in 1946 when the visionary director John Hubley released a manifesto titled An
From Felix the Cat to MTV: MoMA explores a century of animation (opens the original)
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Exhibition It’s Alive follows the evolution of animation in the 100 years before digital technology changed the game Although the word “animation” may bring to mind rascally, anthropomorphic bunnies, cats and ducks doing outlandish things, the truth of the medium’s diversity goes far beyond these few recognizable brands. According to MoMA curator Ron Magliozzi, whose new show covering 100 years of animation, It’s Alive!, debuts this week, the field may have emerged with character-based, Disney-f
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