Trisha Mukherjee
- Indexed articles, last 90 days
- 7
- Latest publication
- Jul 26, 2026
- Outlet visibility, for The Indian Express
- Top 5K sites
- Earliest in this view
- Jul 4, 2026
Latest articles
Jantar Mantar was crowded, yet I breathed freely (opens the original)
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It is 2015. I am in Old Delhi’s Sadar Bazar two days before Holi, speaking to a seller for a story. As the dense crowd kicks up dust, I lean in to listen to my interviewee better. A hand gropes me from behind. I turn around. It happens again, this time from the front. I feel disoriented, lose the thread of conversation with the seller and start walking towards the metro. In the metro, I grab a seat and once the coach is empty enough, call up a friend to share what happened. He suggests I speak t
Memes, reels, posters: Humour amplifies messages of Jantar Mantar protest (opens the original)
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On his right, ‘Saare jahan se accha’ blares on a speaker as a group of protesters sings along. Another group of volunteers offers aid at a makeshift medical station on the left. But P Hossain Khan is unfazed. Hunched over a white chart paper, his right hand swiftly switches a green sketch pen for a blue one. He draws a line, bottom up, and with an artist’s confidence, finishes the job with a ‘heart’ instead of the dot over ‘i’. He moves over; the paper comes in full view. It reads — ‘My ex and t
India through art of a remarkable early Victorian woman, now on display in Delhi (opens the original)
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Almost 200 years ago, an aristocratic English lady of remarkable talents travelled across North India, recording her experiences in words and in art. Emily Eden, a correspondent of Queen Victoria and the sister of a Governor-General of India, sketched Indian princes, soldiers, and servants. Her artworks featured a number of Indian cities – among them Calcutta, Lahore, Punjab, Simla, and Kabul. But she ignored Delhi – for she found “nothing to see” in the city that had then recently passed under
The café on canvas: A slice of life in the modern city captured in art (opens the original)
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In a metropolis whose café culture is having a moment currently, it would seem appropriate that this vibrant and flourishing reality is captured in art as well. Brunch at Khan, a watercolour that zooms in on a corner by the window at an unmistakably Khan Market café, is an apt encapsulation of artist Anupriya Roy’s show ‘Café Decking’, now ongoing at the IIC Annexe. Roy sees the café as an integral part of the modern city – as much a refuge for those seeking to escape its loneliness as for those
Inside Odisha’s Dhokra craft: The lost-wax tradition surviving against the odds (opens the original)
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The petrichor hangs heavy in the air after a fresh round of showers. A dense smoke emerges from a corner of the grounds of the Belgadia Palace in Mayurbhanj, Odisha, as two men squat uncomfortably close to the source – a small pit dug in the ground. One of them holds up a skewer of sorts with a clay-like mass at its end over the flames emanating from the pit. “The temperature is 800 degrees celsius,” says Gopal Sahu, as he swiftly takes the mass in his hand, kneads it in between his palm and fin
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For The Indian Express, the outlet · Measured Aug 1, 2026
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