HeyJaredTom Doyle
- Indexed articles, last 90 days
- 4
- Latest publication
- Oct 1, 2026
- Outlet visibility, for Mojo
- Top 1M sites
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- Jul 7, 2026
Latest articles
Johnny Marr - The Age Of Everything review: Smiths guitarist comes into his own (opens the original)
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Following Johnny Marr’s 2022 double LP, Fever Dreams Pts 1-4, on The Age Of Everything, The Smiths’ guitarist produces a taut 10-tracker he claims to be his most cathartic record yet. There’s resignation yet positivity running through these songs – most of which were road-tested on a US tour in 2025. The upbeat, indie disco-ready Ophelia offers words of support to someone suffering emotional turbulence (“Sometimes you got to scream out”), while Beyond The Rain moves from a Siouxsie And The Bansh
“A stunning display of the alchemy of turning pain into sheer beauty...” (opens the original)
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Sighing strings, a mournfully-strummed acoustic guitar, then a lovelorn voice entering the picture, crooning, “I don’t know where I’m going/But it feels like I’ve been here before/Somewhere down the dark of the night…” Few would have been happy to learn of Hansen’s 2021 divorce from his wife Marissa Ribisi, but there’s a strong argument that a heartbroken Beck produces his best work, as evidenced here within the first 45 seconds of the affecting Bleed. Among his numerous catalogue highpoints, 19
Never-Before-Heard Punk Era Tracks Uncovered In New Elvis Costello Boxset (opens the original)
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Elvis Costello has announced details of an upcoming boxset focused on his 1977 debut album My Aim Is True. Due out October 2 on Ume, the 5-disc set will reflect, Costello reveals to MOJO, “the curious nature and the compression of events between ’76 and the middle of ’78”. Alongside a remaster of the album nestle a bounty of unheard demos from 1975 that he stresses “nobody’s ever heard”. The My Aim Is True (49th Anniversary Edition) box set will feature 104 Tracks, 52 of which are previously unr
Jack White Frozen Charlotte Review: Heavy blues and 70s riffs (opens the original)
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Flying in from unexpected angles, Jack White’s albums this decade so far have proved him to be as creatively fidgety as ever. Following his 2022-released diptych Fear Of The Dawn and Entering Heaven Alive – the first sonically outré futuristic rock, the latter an acoustic-leaning album that wandered through country, folk and even jazz – there came the stunning stylistic consolidation of 2024’s No Name. Rather than be tempted to retrace the template of the latter, White’s thoughts have already mo
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