Thomas Tanman
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 25, 2026
- Outlet visibility, for The Colgate Maroon-News
- Top 5M sites
- Earliest in this view
- Jul 22, 2026
Latest articles
‘Resident Evil’ Breaks Expectations of Adaptation (opens the original)
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An adaptation is often a perilous balancing act. On the one hand, you want to preserve the original tone and style of the source material. Often, this means including the same characters, plot points and designs. On the other hand, if you include too much of the same things, you might end up telling the exact same story or a worse, hollow version of the source material. It is tragic to see the snuffed potential of what could have been a stand-out movie bogged down by genre or other conventions o
Last May’s ‘Obsession’: Horror Messiah Emerges From Sea of Pulp Trash (opens the original)
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The words “paradigm-shifting classic” and “horror” don’t often collide in the world of movies and film history, but this spring’s “Obsession” (2026) by Curry Barker has seemingly done that. Admittedly, I was skeptical when I first saw it back in May. Online reviews at the time might have you believe that “Obsession” was on par with some of the greatest films ever made, such as Federico Fellini’s “La Strada” (1954). Even upon viewing the movie with an initially sour disposition, I am quite blown
Final Ryan Family Film Series Depicts American Identity, Assimilation (opens the original)
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The last Ryan Family Film series of the academic year was a screening of Mike Nichols’ “The Graduate,” followed by Elaine May’s “The Heartbreak Kid.” “The Graduate” may just be the quintessential coming-of-age film. It stars Dustin Hoffman as Benjamin Braddock, who returns home after graduation, drifting within the limbo of adolescence and adulthood. Existing in this strange purgatory, he begins an affair with one of his parents’ friends to facilitate, and perhaps delay, his delivery to the new
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