Stuart Berman
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 29, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Jul 13, 2026
Latest articles
Ty Segall: Chrome (opens the original)
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Ten years ago, the prospect of Ty Segall making a wild, noisy, guitar-charged rock’n’roll album would’ve raised zero eyebrows, but in 2026, it comes as a pleasant shock. For most of the past decade, Segall has spent as much time outside the proverbial garage as within it, exploring the vast musical terrain—prog, folk, synth-core, drum circles—that lies beyond its soot-covered confines. And not only has Segall become a more adventurous artist, he’s also become a more sophisticated—and, at times,
Black Bananas: Bad Bunch (opens the original)
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For nearly 40 years now, Jennifer Herrema has tuned her inner antennae to the sound of the radio—or at least, the experience of listening to it. Navigating her vast discography—with Royal Trux, then RTX, and now Black Bananas—feels a lot like randomly sliding back and forth on an FM dial, where you might bounce between classic-rock fist-pumpers, retro roller-rink jams, crackly country golden oldies, and whatever weird shit the overnight DJ at your local campus station can get away with playing a
The Rolling Stones: Foreign Tongues (opens the original)
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I’ll leave it to others to provide Foreign Tongues with the traditional blessing that greets every new Rolling Stones album—“it’s their best since Some Girls!”—but I will say it features their best cover art since Some Girls. Created by Chicago painter Nathaniel Mary Quinn, the image mashes up caricatures of Mick Jagger, Keith Richards, and Ron Wood into a glorious grotesquerie that channels the colorful glam-trash aesthetics of the band’s late-’70s phase. In the process, it also takes every age
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Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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