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HeyJared

Steven Hyden

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 29, 2026
Outlet visibility, for UPROXX
Top 1M sites
Earliest in this view
Aug 11, 2026

Latest articles

  1. Article · Sep 29, 2026 · Steven Hyden

    Lily Seabird’s Music Is The Sweet Spot Between Ween, the Velvet Underground and (A Bit Of) Twangy Indie Rock (opens the original)

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    When I first heard Lily Seabird’s music via her second album, 2025’s Trash Mountain, I slotted her into the 2020s alt-country scene that’s exploded in recent years. And there’s good reason for that — her song “Trash Mountain (1 pm)” is the epitome of the sort of twangy indie rock that’s become commonplace in the wake of breakthroughs by Waxahatchee and MJ Lenderman. Though, it turns out, that song is not wholly representative of Seabird’s work — and it certainly doesn’t describe the totality

  2. Article · Aug 26, 2026 · Steven Hyden

    Westside Cowboy Signals A New Era For British Indie Rock (opens the original)

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    It Goes On, the scrappily invigorating full-length debut by the U.K. band Westside Cowboy, opens with one of the year’s most exciting rock songs. A rousing mess of relentlessly chugging guitars and shout-along vocals, “Kick Stones (The Boys)” has the spirited energy of a pub band that imagines it’s playing Wembley Stadium. As the song builds from jittery, tense strums and an insistent rhythmic pulse to a crescendo of noise and hoisted lager sprays, the idea that this band might actually

  3. Article · Aug 11, 2026 · Steven Hyden

    We Asked Jane Schoenbrun Why They Set A Murder Scene To A Counting Crows Classic In Their New Horror Film (opens the original)

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    About a month ago, my editor reached out and essentially ordered me to sign up for a press junket for a new movie that finally came out in theaters last week. It’s called Teenage Sex and Death at Camp Miasma, and it’s a knowingly campy and often quite perceptive horror/comedy written and directed by the acclaimed filmmaker Jane Schoenbrun (I Saw The TV Glow, We’re All Going To The World’s Fair). The film’s meta-narrative concerns an acclaimed maker of horror films (Hannah Einbinder) wh

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