HeyJaredSteven Heller
- Indexed articles, last 90 days
- 51
- Latest publication
- Sep 25, 2026
- Outlet visibility, for PRINT Magazine
- Top 5M sites
- Earliest in this view
- Jul 6, 2026
Latest articles
The Daily Heller: Sixteen Pages (Sedicesimo) – PRINT Magazine (opens the original)
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The family owned publisher Corraini Edizioni was founded in Mantua, Italy, in 1975. Over the decades, it has become a hotspot for producing contemporary art and children’s books and showcasing young and internationally renowned artists and designers. Currently, many of their books are in an interactive exhibition titled Building Books. Corraini Edizioni: Children, Art, Design and Everything Else, on view through Sept. 28 at the SVA Flatiron Gallery and Project Space (133/141 W. 21st St.), in con
The Daily Heller: When AI 'Agents' Go Rogue … – PRINT Magazine (opens the original)
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This has been a week where the leaders of the AI industrial complex are calling for regulation to stop what is considered an existential threat—the release of uncontrolled, free-thinking AI “agents” (what The New York Times calls a “new age of AI development, ‘recursive self-improvement,’ that threatens to act autonomously and as group think”). Anthropic co-founder and CEO Dario Amodei recently issued a grave public warning urging an immediate industry slowdown in the further development of “fro
The Daily Heller: Cycling Through the Digital and Back to Print – PRINT Magazine (opens the original)
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The creative partners Brad Roe, Tim Schamber and Adam Reek founded and created 111 beautiful issues of Peloton, the premier American cycling magazine, until it was acquired by Outside Media and ceased printing. Peloton‘s demise might have been canary in the coal mine, but print wasn’t dead yet — the trio believed print was alive and pedaling. So in March 2025, they formed Fausto Partners, LLC — an independently owned print-focused media company — and launched Fausto, a print-first cycling public
The Daily Heller: About Civilization as We Knew It – PRINT Magazine (opens the original)
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When I read this subhead in an article on The Guardian—”A historian charts the emergence of a democracy-crushing dystopia that is—in some ways—already with us”—I thought that another doom-scrolling academic was just doing their best to wreak havoc on my already fragile capacity to get a good night’s sleep … again. Then I learned the article was a review of Jill Lepore’s latest in a long string of fascinating national and cultural critical histories (she seems to publish about one a year)—The Ris
The Daily Heller: Plus ça Change, Plus c’est la Même Chose – PRINT Magazine (opens the original)
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For the non-Francophile among you, that’s “the more things change, the more they stay the same.” The sameness to which I refer is an old chestnut that we are bedeviled by wanton greed and its consequences, of persons who rule our existences, the power-hungry, narcissistic peddlers of ugly, who never vanish and always reappear (did I mention bad taste? E.g., read this in last week’s New Yorker about a certain president’s architectural machinations). This never-ending status quo is the thesis behi
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