Steve Sutherland
- Indexed articles, last 90 days
- 4
- Latest publication
- Aug 18, 2026
- Outlet visibility, for Stratford Herald
- Top 1M sites
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- Jul 22, 2026
Latest articles
Dame Judi was bang-on! (opens the original)
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Dame Judi-endorsed Pygmalion sells out as Rother Street Arts House hosts exemplary Shaw and Wilde productions. REVIEW: Pygmalion, Rother Street Arts House, Stratford They say it pays to advertise and whoever they are, I wouldnât argue with them. Pygmalion was pretty much a total sell-out across half-a- dozen performances once Dame Judi Dench had popped up on Facebook recommending to all and sundry visiting Stratford that, along with taking in The Cherry Orchard at the RSC, this show at the Rot
Game of Thrones at the RSC: âA spectacle for sceptics and addicts alikeâ (opens the original)
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Game Of Thrones: The Mad King, RST, Stratford, until 5th September, Five stars ***** World-premiering here in Stratford with the presumed expectation that it will go on to traverse and conquer the globe, Game Of Thrones; The Mad King is a prequel to the phenomenally-popular, binge-watched HBO series which was based on George R. R. Martinâs A Song Of Fire And Ice cycle of fantasy novels. Adapted by playwright Duncan Macmillan and directed by Dominic Cooke, itâs such a prestigious production t
Set is the star of the show (opens the original)
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Hansel and Gretel, Longborough Festival Opera, Until 8th August This yearâs final outing in Longboroughâs summer season is Hansel and Gretel, composed by Engelbert Humperdinck, thankfully not the same geezer whose mawkish country ballad Release Me kept the greatest single ever, The Beatlesâ Penny Lane/ Strawberry Fields, from the top of the charts in 1967. Our Engelbert was a pal of Wagner and worked up his opera in the early 1890s complete with a libretto donated in German by his sister A
A monument to dysfunction (opens the original)
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Review: The Cherry Orchard, Swan Theatre, RSC, Stratford, until 29th August If ever a play was out of kilter with the times, itâs surely this one. Past appreciation of Chekhovâs final work, written in 1903, was principally motivated by the plot representing the decline and fall of the Russian aristocracy and our perennial fascination with the romantic notion of the great unwashed have-nots toppling the hoity-toity had-it-allâs. The revolution as a great humanitarian leveller and all that,
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