Sophia Benito
- Indexed articles, last 90 days
- 3
- Latest publication
- Aug 31, 2026
- Outlet visibility, for Dailynexus
- Top 5M sites
- Earliest in this view
- Jul 21, 2026
Latest articles
Phoebe Bridgers makes her return with the strangely intimate “Lost Weekend” | The Daily Nexus (opens the original)
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Phoebe Bridgers’ successor to her 2020 album “Punisher” is just as cryptically intimate but brutally honest, the most Bridgers has been in her music yet. The album keeps her distinct sound, but introduces a folk-ballad feel and a distorted, trance-like lullaby. “Lost Weekend” is Bridgers’ first solo album in six years, following a swift disappearance from public life after she wrapped the 2024 Grammy Awards and took home the most collective awards for both her solo work and with boygenius, her s
Nolan’s Simplified Reading of ‘The Odyssey’ is a Moralist Spectacle | The Daily Nexus (opens the original)
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*Review contains some spoilers and the writer is an English major who has studied “The Odyssey” numerous times* Director Christopher Nolan’s seafaring blockbuster “The Odyssey,” an adaptation of the Homerian epic and a foundational text synonymous with the high school English class, is entertaining, but not intellectual. Nolan does not reinterpret the nearly 3,000-year-old text, instead he simplifies everything that makes the long-studied story and its cast of characters interesting. For one, Ma
‘Backrooms’ Should Be a Labyrinth with No End | The Daily Nexus (opens the original)
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“Backrooms,” the directorial debut of 21-year-old filmmaker Kane Parsons, is not a horror film in any traditional sense. It’s more of a distorted dreamscape than a bloody thriller, where logic is non-existent and normal is silently disquieting. Parsons’ attempt to demystify the “Backrooms” concept takes away from what originally made the internet-dreamed space interesting. The “Backrooms” concept stems from a 4chan thread and a single image of a large, empty room with dull beige carpet, yellow w
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