Smadar Shiloni
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 17, 2026
- Outlet visibility, for Ynetnews
- Top 50K sites
- Earliest in this view
- Jul 4, 2026
Latest articles
‘Macklemore is untalented and uneducated. He should come to Israel and see for himself’ (opens the original)
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Three years after Oct. 7, Michael Rapaport has found himself confronting a question Israeli comedians know well: How do you make people laugh when so many in the audience have been living through grief, anxiety and war? The outspoken Jewish New Yorker first visited Israel after Oct. 7 and has since become one of the country’s most visible celebrity supporters, but he admits he initially wondered whether stand-up was appropriate at all.“I felt almost disrespectful or concerned about doing comedy
Agatha Christie’s real-life mystery: the 11 days the queen of crime disappeared (opens the original)
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In an age when the ability to come up with an original story is becoming increasingly rare, it is hardly surprising that Hollywood is once again rummaging through history’s junkyard. This time, the subject is a mystery writer who was becoming the hottest name in the British market when, one fine day, she vanished for 11 days and drove an entire kingdom into a frenzy.The writer was Agatha Christie, then at the beginning of her commercial ascent, and the fact that it happened exactly a century ago
‘Save the cheerleader, save the world’: Why television still loves superpowered teenage girls (opens the original)
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In her first episode of Heroes, Claire Bennett looks like the embodiment of the ideal American teenager: blonde, popular, a cheerleader, seemingly living a perfect high-school life. Then she jumps from a bridge. Her body hits the ground with exactly the consequences physics would suggest. But Claire gets back up, pushes her bones back into place and carries on as if someone had pressed Ctrl+Z on the laws of nature.When you are 17 and something like that happens, you do not necessarily call a doc
‘The Westies’ review: J.K. Simmons can’t save this mob drama from cliché (opens the original)
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Of all the genres in the world, the one that gives us mob stories may be the greatest cliché trap of them all. Escaping those conventions is difficult, if not impossible: dimly lit warehouses, a charismatic and cold-blooded boss, a corrupt cop, a code of honor broken at exactly the wrong moment and semi-witty recitations of existential truths just before the gun starts smoking.Television has already proved that it is possible to make mob dramas without falling into that trap. Shows such as ‘The
Will Ferrell finally leads a TV comedy, but 'The Hawk' fails to find Its groove (opens the original)
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There is something sad about watching a comedian of Will Ferrell’s caliber pour all his energy into what looks like a television pileup. At nearly 60, Ferrell finally gets a comedy in which he is in the driver’s seat, only to discover that the thing he has done so well for decades is, well, less suited to carrying 10 consecutive episodes. “The Hawk,” which premiered on Netflix yesterday (Thursday), about an aging, childish and self-centered golfer, feels, at best, like a joke — but one at Ferrel
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