Simone Wong
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 15, 2026
- Outlet visibility, for Honisoit
- Top 5M sites
- Earliest in this view
- Jul 13, 2026
Latest articles
The multicultural imaginary: Chungking Express through Australian eyes – Honi Soit (opens the original)
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Chungking Express (1994) invaded my life before I had even watched it, all because of a song: “All the leaves are brown… and the sky is grey…” My dad would sing it around the house, in the car, and I gradually inherited his love for it. It weaved its way through my memories and settled there in the haze of childhood. I hadn’t known the root of his obsession, until I finally watched Chungking Express this year and the Mamas and Papas began to play on repeat in the second act, excessively: “Califo
Last Call for Drinks: A night at Divine Playhouse – Honi Soit (opens the original)
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We turned the corner on Kent Street. The pavement was spilling over with patrons, the line moving quickly. The doorway arch barely contained the feverish, pulsing halo of red light coming from the lamps, filtering through swinging beads and hanging crosses. Low tones of music cut through the buzz of voices as we pushed through the beaded curtain. Divine Playhouse was nothing, if not sacred. The energy there on Thursday the 9th July, five days before it was ordered to close its doors, was fervent
Kiera Garland – Honi Soit (opens the original)
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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoi
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For Honisoit, the outlet · Measured Aug 1, 2026
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