HeyJaredSimon Adams
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 1, 2026
- Outlet visibility, for Jazz Journal
- Top 5M sites
- Earliest in this view
- Jul 29, 2026
Latest articles
Reviewed: Sam Braysher & Linus Eppinger | Satoko Fujiiâs Bunker Ulmenwall Orchestra | Satoko Fujii Orchestra Kobe - Jazz Journal (opens the original)
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Sam Braysher & Linus Eppinger: A Sinner Kissed An Angel | Satoko Fujiiâs Bunker Ulmenwall Orchestra | Satoko Fujii Orchestra Kobe: After The Storm London-based alto saxophonist Sam Braysher is now on his fourth album, this time fronting an international quartet featuring his long-standing musical friend and colleague, the German-born, Amsterdam-based, guitarist Linus Eppinger alongside a rhythm section of American-born, French-resident Darryl Hall on bass and the veteran Dutch musician Eric In
Rethinking Miles Davis - Jazz Journal (opens the original)
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Ten academic essays focus on the trumpeter's later career, but - perhaps a sign of the conservative times - guest observers, several only infants in the 1950s, favour his old music Note the title of this book: this set of 10 academic essays is an active rethinking of how we regard Miles Davis today, how we approach his work now, how we deal with his preeminent position in modern jazz, and how we approach him as an enduring icon of fashion and style. It is not a rethought history, it is not a his
Reviewed: Mick Goodrick & Fred Hersch | Florian Arbenz | Distant Birds - Jazz Journal (opens the original)
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Mick Goodrick & Fred Hersch: Feebles, Fables & Ferns | Florian Arbenz: Quiet Lights | Distant Birds: Vol. 01, Vol. 02 The ECM record label still surprises and delights, digging out – I assume from Fred Hersch’s archive – this previously unknown set of duos he recorded in his own studio in New York with guitarist Mick Goodrick in August 1988. At the time, Goodrick had recorded the In Pas(s)ing set with John Surman for ECM in 1978 – which included the track that gave this current album its title –
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