HeyJaredSiddhant Adlakha
- Indexed articles, last 90 days
- 7
- Latest publication
- Sep 10, 2026
- Outlet visibility, for Thewrap
- Top 50K sites
- Earliest in this view
- Sep 3, 2026
Latest articles
‘Union Town’ Review: Energetic Labor Documentary Rounds Out 50-Year Trilogy (opens the original)
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Legendary documentary filmmaker Barbara Kopple completes a trilogy of films about labor in the United States that started with 1976’s “Harlan County, USA,” continued with 1990’s “American Dream” and now culminates in “Union Town,” a towering achievement. After chronicling a Kentucky miners’ strike and the Hormel strike in Minnesota, the documentarian returns home to the Big Apple for a tale of delivery workers and some of the most far-reaching organizing the U.S. has ever seen. It’s as enormous
‘Place to Be’ Review: Ellen Burstyn Shines in Tender Road Trip Comedy (opens the original)
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A gentle coming of (old) age two-hander, “Place to Be” finds Hungarian auteur Kornél Mundruczó imbuing a straightforward genre — the road trip comedy-drama — with sentimentality. He directs Ellen Burstyn in a deceptively simple role, resulting in a career-capping performance that proves why she’s still one of our greatest actresses. It is, after all, the challenge of a lifetime: acting opposite an intrusive racing pigeon (in addition to an unpleasant, accidental companion played by Taika Waititi
‘Look Back’ Review: Gentle Live Action Remake Loses Magic in Translation (opens the original)
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Hirokazu Kore-eda’s “Look Back” follows the unlikely friendship between two young Japanese schoolgirls bound by their love of drawing, until they go their separate ways. In keeping with his recent works (like “Shoplifters” and “Monster”), the director maintains his knack for working with child actors to create a visually detailed drama whose emotions also, on occasion, feel just as thorough. But lost in Kore-eda’s tender translation is the sense of whimsy and childlike optimism that permeated bo
‘Father Joe’ Review: Kiefer Sutherland Plays a Gun-Wielding Priest in Scattershot Mob Drama (opens the original)
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Written by Luc Besson, Barthélémy Grossmann’s directorial debut “Father Joe” is a goofy pastiche of mafia movies and religious hitmen that is not without its charms. Set in New York City against a nebulous “nineties” backdrop, it follows a gun-wielding vigilante vicar (an intense Kiefer Sutherland) obsessed with taking down the mob led by the sluggish Gio Falcone — played by Al Pacino, who, perhaps for lack of material, phones it in. Far from dramatically rigorous and often flat in its visual te
‘Oasis: Don’t Look Back in Anger’ Review: Rock Doc Could Turn Agnostics Into Believers (opens the original)
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What’s the story of Oasis? Until recently, it was smashing Britpop success followed by a mayhemic backstage breakup. However, the thundering rock doc “Oasis: Don’t Look Back in Anger” hopes to change that perception by way of a behind-the-scenes peek at the reconciliation of brothers Noel and Liam Gallagher, and their long-awaited reunion tour in 2025. Directed by Will Lovelace and Dylan Southern, the film doesn’t quite succeed at the former, barely providing hints about the siblings’ 2009 schis
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For Thewrap, the outlet · Measured Aug 1, 2026
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