HeyJaredShailaja Tripathi
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 26, 2026
- Outlet visibility, for The Hindu Kerala
- Top 5K sites
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- Aug 13, 2026
Latest articles
This exhibition in Delhi recalls the glorious past of the Shekhwati region (opens the original)
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For generations, Shekhawati’s grand havelis have stood as reminders of a time when wealthy Marwari families built elaborate homes in this area in northern Rajasthan and then left for bigger cities. In the absence of care, the painted havelis, which were once a symbol of the community’s wealth and status, began decaying. Many of the owners did not return. Now, there are signs that the story is changing. An exhibition at the Visual Arts Gallery, India Habitat Centre, in Delhi this week, Raj Se Swa
Latika Kattâs final works celebrate nature and transience at Delhiâs Gallery Threshold (opens the original)
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âI wanted visitors to feel they had met her, had known her. To feel the hands that chiselled these rocks, to hear her voice, and to leave with an experience that stays with them for a long time.â Thatâs how Tunty Chauhan of Gallery Threshold describes its latest show, Abandoned â an exhibition of sculptor Latika Kattâs final body of work. After walking through the show, it is difficult to disagree with Chauhan. Also Read: Hyderabadâs art scene is finding new ways to make itself seen
How singer Dhammarakshit draws on centuries-old poetry to spark conversations on social injustice (opens the original)
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It poured that evening. On the first floor of the Mandiram, Raghav Shreyas Foundation for Arts in Basavanagudi, rain hammered the old Mangalore-tiled roof. Inside, a small gathering sat huddled in the cosy room. The old house, with its unmistakable Bangalore character, had no conventional stage, no fancy lighting. There was just an artiste, his voice, and a room full of people listening. For Dhammarakshit, this intimate setting was something of an experiment. The Mumbai-based Ambedkarite lok sha
This digital art exhibition in Delhi showcases technology as a new medium for expression (opens the original)
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Artificial intelligence may be changing the way we think about creativity, but a new exhibition at Bikaner House shows that technology is not replacing the artist; it is simply giving artists another medium through which to express themselves. For instance, Riyas Komu, who is known for hyperrealistic portraits, has done a digital work showing the time of Mahatma Gandhi’s death — 5.17pm on January 30, 1948. Riyas is one of nine major contemporary artists who have stepped beyond the familiar world
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