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- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 16, 2026
- Outlet visibility, for Aol
- Top 10K sites
- Earliest in this view
- Aug 6, 2026
Latest articles
Alvin Ailey American Dance Theater: New Works review – a heavenly night - AOL (opens the original)
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The Alvin Ailey company’s New Works programme might be seen in some circles as dated, and it’s true that it is neither cutting edge nor modishly contemporary. Yet it rests on more perennial qualities that underpin the company’s enduring appeal: skill, craft, beauty and humanity, and beneath them an artistic aim that can reach up towards the sublime, out towards the world, or in towards the heart. Medhi Walerski’s Blink of an Eye, new to the company but created in 2011 for Nederlands Dans Theater
Royal Ballet: The McRae/Vassilev Project review – an encounter between two masterful ROH performers - AOL (opens the original)
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It’s an evening of two halves and many, many parts, some that dovetail snugly, others more clunkily bolted together. And perhaps that’s because The McRae/Vassilev Project is just that: a project more than a piece. Directed by Natalie Abrahami and choreographed by Loughlan Prior, it is essentially an encounter between two masterful performers with long careers at the Royal Opera House, dancer Steven McRae and violinist Vasko Vassilev, entwined with the near mythical figure of another virtuoso art
Carlos Acosta: Myths and Modern Masters review – superstar returns with style, the Stones and his daughter - AOL (opens the original)
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It’s a bit of a stretch to call this undoubtedly enjoyable programme Myths and Modern Masters but granted, it sounds better than Miscellany. Carlos Acosta – superstar dancer, now director of Birmingham Royal Ballet and Cuban company Acosta Danza – has picked and mixed dancers from both companies to offer a very eclectic spread of dance, and added himself into the mix. At 53, Acosta may not have the physical prowess of his youth, but he brings great presence and depth – and some great dancing, to
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