HeyJaredSadie Sartini Garner
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 2, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Jul 7, 2026
Latest articles
Credit Card: Devilâs Night / Dead Internet (opens the original)
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R.I.P. to the internet. In the same way those who believed in punkâs revolutionary promise had declared it dead by 1977 (despite the musicâs persistence), tech critics have long argued that weâre spending our lives on a necrotic World Wide Web that decays further every day. The Dead Internet Theory argues that the combined effects of SEO juicing, corporatized traffic flow, and the overwhelming presence of bots have riddled the system with so many cavities itâs functionally incapable of s
Chelsea Wolfe: The Dark (opens the original)
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“I’ve shed a thousand skins,” Chelsea Wolfe sang on the opening track of 2024’s She Reaches Out to She Reaches Out to She. She added, in a vicious whisper, “That shit does not define me anymore.” With its grimy production and rusty industrial edge, She Reaches Out was the sound of Wolfe standing atop a turret in a lightning storm, calling down the heavens and casting off old versions of herself. It was the most well-rounded album of her nearly 20-year career, one that felt like the full realizat
The Cure: Mixed Up (opens the original)
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Nobody likes a moaner, or so goes the conventional wisdom. But by 1990, more than a decade into his career and fresh off of his band’s biggest-ever tour, moan was all Robert Smith could seem to do. The Cure’s popularity had become unmanageable; that 1989 tour had taken them to Springsteen levels of fame, and they found themselves playing dark, cavernous songs in dark, cavernous venues like Giants Stadium. They sold out Dodger Stadium with openers Pixies and Love and Rockets—“a bill whose cumulat
Hulder: Verbolgen (opens the original)
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In the 30-plus years since Per Ohlin first donned corpse paint, black metal has mutated, evolved, and adapted to so many different environments and subcultures, it can feel like an invasive species set loose on a fertile world. In theory, this is strikingly rigid music—in the trad black metal that looks to Norway’s second wave, at least, there is no swing, there are no bent notes, and the emotional palette is as monochromatic as the album covers—but it’s proven itself to be surprisingly flexible
Panda Bear / Sonic Boom: A ? of WHEN (opens the original)
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A ? of WHEN was inevitable. Reset, the 2022 album by longtime collaborators Panda Bear and Sonic Boom, was a joyful collection that felt like exactly what it was: the work of two wildly talented best bros riffing off one another’s strongest ideas. Enthusiasm was its defining characteristic: There’s Noah Lennox and Pete Kember’s mutual admiration, of course, but also their shared love of pre-British Invasion pop, complex vocal harmonies, and counterintuitive juxtapositions. Not many records could
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Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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