HeyJaredRosalind Ormiston
- Indexed articles, last 90 days
- 5
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- Sep 10, 2026
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- Jul 14, 2026
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Lady in Blue Arrives on the Fourth Plinth | The Arbuturian (opens the original)
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Trafalgar Square’s rotating art experiment welcomes its sixteenth commission this month, as Tschabalala Self’s technicolour “everywoman” takes over from Teresa Margolles. Rosalind Ormiston looks back at the plinth’s history — and ahead to a packed month of London sculpture… Since 1999, when the English artist Mark Wallinger’s sculpture Ecce Homo — cast from a living body to depict a near-naked Christ with hands tied behind his back — was placed on the empty plinth in Trafalgar Square, London, sc
Swagger and Scandal: Whistler at Tate Britain | The Arbuturian (opens the original)
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Litigious, self-mythologising and never knowingly underdressed, James Abbott McNeill Whistler cuts a singular figure among the Victorian greats. Rosalind Ormiston visits Tate Britain’s blockbuster retrospective — and the film that accompanies it… Tate Britain’s hugely successful exhibition James McNeill Whistler introduces a twenty-first-century audience to a mid-nineteenth-century American dandy of an artist. Multi-talented, full of swagger, confidence and wit, and quick to sue for any offence,
Richard Dadd: A Much-Respected Murderer | The Arbuturian (opens the original)
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Feted as a Royal Academy prodigy, then locked away for stabbing his own father to death, Richard Dadd spent the next four decades painting fairies from inside an asylum cell. Rosalind Ormiston previews ‘Beyond Bedlam’, the RA’s remarkable retrospective of his life and work, which opens today… Kent-born Richard Dadd, a student at London’s Royal Academy of Arts School from 1837, emerged as a talented painter in the 1840s, his art taking inspiration from Shakespeare’s plays and a sojourn across the
M.C.Escher: The Exhibition | The Arbuturian (opens the original)
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At Somerset House in London, a landmark show traces how a shy Dutch graphic artist, inspired by the tessellated tiles of the Alhambra, became the unlikely godfather of computer science — Rosalind Ormiston steps inside the illusion… It is remarkable to think that the art of Dutch-born graphic artist Maurits Cornelis Escher — he liked to be called MC — is credited by many mathematicians with inspiring computer science. In the Embankment Galleries at Somerset House, London, a fantastic exploration
Anish Kapoor at the Hayward Gallery | The Arbuturian (opens the original)
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Rosalind Ormiston finds a jaw-dropping spectacular at the Hayward Gallery, as Anish Kapoor returns home in blood-red triumph for Ralph Rugoff’s swansong show… In spring this year, the American curator Ralph Rugoff stepped down after twenty years as director of the Hayward Gallery on London’s Southbank — he will be a hard act to follow. His choice of shows has been consistently outstanding, always questioning what art can be. Anyone who has visited the Hayward over the last two decades will have
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