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Romeena Roy

Reporter

Indexed articles, last 90 days
3
Latest publication
Sep 1, 2026
Outlet visibility, for Countercurrents
Top 1M sites
Earliest in this view
Aug 7, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest articles

  1. Article · Sep 1, 2026 · Romeena Roy

    AI as a Co-Creator and Ethical Companion: Re-examining Human-Digital Relationships | Countercurrents (opens the original)

    Excerpt · Positive tone · English

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    Artificial Intelligence plays a significant role in shaping contemporary human-digital relationships. This write-up examines the experiences of individuals who use AI for emotional support, decision-making, and academic assistance and how digital technology has positioned AI as a co-creator in these relationships, surpassing its traditional role as a mere assistant. By highlighting these interactions, this write-up considers AI not only as a technological tool but also as an ethical companion th

  2. Article · Aug 27, 2026 · Romeena Roy

    Recognition and Healing Before Medicine | Countercurrents (opens the original)

    Excerpt · English

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    A child stumbles and scrapes his knee amid a wedding celebration. He moves through several kinds of care, but none of them is quite what he is looking for. This small incident raises a question: when does the actual healing begin? This writing answers: not the wound, but the distinction adults rarely spell out – the difference between assistance and recognition, along with how children learn where it is safe to be vulnerable. The moment the boy falls, his relatives immediately help him to stand,

  3. Article · Aug 7, 2026 · Romeena Roy and Dr Sucheth P R

    Gender Performativity and Sacred Possession: A Reading of Rishab Shetty’s ‘Kantara’ | Countercurrents (opens the original)

    Excerpt · Neutral tone · English

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    Rishab Shetty’s Kantara: A Legend Chapter 1 (2025), a Kannada movie set in the forests of coastal Karnataka, known as Tulunadu, explores the interconnectedness between humans and nature and expresses resistance to marginalization. The movie is a prequel to Shetty’s first movie, Kantara (2022), which, through the bond between humans and nature embedded in the tale of the Buta Kola tradition, engages with the question of subaltern resistance in the oppressive socio-economic milieu. It frames the s

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