Robin Hilton
- Indexed articles, last 90 days
- 6
- Latest publication
- Aug 20, 2026
- Outlet visibility, for WSIU
- Top 5M sites
- Earliest in this view
- Jul 20, 2026
Latest articles
KLCC's Ultimate Oregon Summer Mixtape (opens the original)
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KLCC's Ultimate Oregon Summer Mixtape Everyone’s got a song that will always mean “summer” to them. What is yours? Get some inspiration from NPR Music! Lars Gotrich Music Summer’s simple pleasures: NPR Music's summer mixtape Robin Hilton, Lars Gotrich, Marissa Lorusso Roséwave is a feeling more than a singular sound or genre. It’s the kind of sweetness and sadness that underscores the long, languid days of summer. Long drives with old friends, watching your kids at the pool, backyard barbecues w
Summer’s simple pleasures: NPR Music's summer mixtape (opens the original)
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Roséwave is a feeling more than a singular sound or genre. It's the kind of sweetness and sadness that underscores the long, languid days of summer. Long drives with old friends, watching your kids at the pool, backyard barbecues while the sun slowly sets. On this episode we share a mix of songs that offer the perfect soundtrack for your roséwave days and nights, from Linda Ronstadt's "How Do I Make You" and Marvin Gaye's "Ain't That Peculiar," to Katie Gavin's "Aftertaste," Waxahatchee's "Much
Cover songs that are better than the originals (opens the original)
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Sometimes a cover song is so good, so singular that it completely eclipses the original version. Think Sinéad O'Connor doing The Family's "Nothing Compares 2 U," Jimi Hendrix lighting up Bob Dylan's "All Along the Watchtower" or, of course, Whitney Houston's defining take on Dolly Parton's "I Will Always Love You." On this week's All Songs Considered, NPR Music shares some of its picks for cover songs that are better than the originals, talk about why, and what, exactly, a cover song needs to be
Death Cab for Cutie: Tiny Desk Concert (opens the original)
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Death Cab for Cutie has always had a gift for making the ordinary feel breathtaking, bringing clarity to complicated feelings in plainspoken and universal ways, with a sound that is singularly its own. For this performance, the band's second at the Tiny Desk, the members recreate that sound almost entirely on acoustic instruments, including a nearly 100-year old zither. The band opens with "Pep Talk" and "Stone Over Water" from Death Cab's latest album, I Built You a Tower, both stirring reflect
How to love the Grateful Dead (opens the original)
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Once in a while you get shown the light in the strangest places, if you look at it right. And if you get confused, just listen to the music play. On this week's All Songs Considered, resident Deadheads Isabella Gomez Sarmiento and Felix Contreras help host Robin Hilton hear what he's been missing in the music of The Grateful Dead. This conversation, which you can hear with the listen link at the top of the page, comes ahead of a big series we're launching Aug. 1 all about The Grateful Dead, thei
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