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- Indexed articles, last 90 days
- 5
- Latest publication
- Sep 5, 2026
- Outlet visibility, for Tribune India Chandigarh
- Top 50K sites
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- Aug 20, 2026
Latest articles
The filmmaker from Dayalpur - The Tribune (opens the original)
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A boy who was not allowed to watch films until he was 15 is now taking his own film to the London Film Festival. The journey from Dayalpur, a small village in Faridabad, to the prestigious BFI London Film Festival may sound improbable, even to Ankur Hooda himself. His latest docu-drama, ‘The Calf Doll’, made in his ancestral village on a modest budget and without institutional backing, has been selected for screening at the festival. But for Hooda, the journey to London is less about an arrival
The filmmaker from Dayalpur - The Tribune (opens the original)
Read excerpt
A boy who was not allowed to watch films until he was 15 is now taking his own film to the London Film Festival. The journey from Dayalpur, a small village in Faridabad, to the prestigious BFI London Film Festival may sound improbable, even to Ankur Hooda himself. His latest docu-drama, ‘The Calf Doll’, made in his ancestral village on a modest budget and without institutional backing, has been selected for screening at the festival. But for Hooda, the journey to London is less about an arrival
Zindagi Mubarak with Dev - The Tribune (opens the original)
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The small, sunlit classroom in a remote mountain school is quiet until Dev walks in, with a ukulele case on his shoulder. For the 45-year-old artiste and social activist, this isn’t just another stop on his journey, but another milestone in what he calls his Prem Yatra, which isn’t just the name of a project, but also his way of life. Built on the belief that love increases every time it is shared, it has taken him across 27 countries, through some of India’s remotest villages and into classroom
Beyond the bass: How a new wave is redefining Haryanvi music - The Tribune (opens the original)
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For decades, the public memory of Haryanvi music has oscillated between the state’s magnificent heritage of Raginis born in village chaupals and the modern commercial wave dominated by heavy basslines and aggressive tropes. While that high-decibel pop carved out a huge footprint, it also narrow-casted a language into a rigid stereotype. This cultural transition found its clearest viral proof when Bodh’s acoustic flip of ‘Senorita’ into ‘Babita’ took over social feeds, alongside Banjaare’s ‘Barsa
Vishal, aka Bodh, gives the 2011 hit Senorita a hilarious Haryanvi twist in Babita - The Tribune (opens the original)
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“Na mein samjha, na mein jaana… Jo bhi tanne mere te kaha hai oh, Babita!” If you told Farhan Akhtar back in 2011 that his suave Spanish anthem Senorita would one day be reimagined with an acoustic guitar and a Haryanvi twang, he might have laughed you out of the studio. Yet, here we are. Exhausted after multiple takes recording an acoustic live version of an upcoming original song, self-taught musician Vishal aka Bodh and his mixing engineer decided to take a breather. Sitting with a guitar in
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