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- Indexed articles, last 90 days
- 25
- Latest publication
- Oct 1, 2026
- Outlet visibility, for Greeley Tribune
- Top 500K sites
- Earliest in this view
- Jul 8, 2026
Latest articles
What to watch: ‘Verity’ is so bad it’s awesome (opens the original)
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A dark romantic thriller with a scene-stealing Anne Hathaway and a riveting documentary on an ill-fated mountaineering expedition top our roundup of new movies and shows to catch this weekend. “Verity”: If terrible — but entertaining, laughable and logic-defying — are the best things you can say about a certain romantic thriller, your best move might be to sit this one out until it streams or, better yet, summon a cadre of demonstrative pals and head to the theater, so you can all laugh and roll
Mill Valley Film Fest 2026: Catch these 10 movies (opens the original)
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The 49th Mill Valley Film Festival running Oct. 1-11 welcomes to the Bay Area a wide range of artists (actors Sam Rockwell and Andrew Scott, musician and songwriter Linda Perry, director/actor Jesse Eisenberg, and many more) this week and next for its annual celebration of independent filmmaking. This year features the event’s biggest slate yet (96 feature films, 80 shorts) including awards-buzzy titles (“La bola negra,” “Musk,” “The Debut,” “Josephine,” “I Play Rocky,” “Naza,” “Possible Love,”
Review: Tom Cruise is just one of many surprises in terrific ‘Digger’ (opens the original)
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How frequently do we go out to the movies and then walk out saying “Wow, that was something incredibly different and surprising?” Not often enough. Alejandro G. Iñárritu’s insane satire qualifies as something rare like that, an audacious movie that takes huge artistic swings and refuses to get wedged into one specific genre. Even slapping it with the satire label is open for debate, given that the film ever so blithely addresses that matter near its grand finale. It is perhaps that cinematic def
What to watch: Two Sundance Festival favorites land in theaters (opens the original)
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Two Sundance Film Festival crowd pleasers from this year’s lineup land in theaters this week, and both are worth seeing. “The Incomer”: Saddled with one more unenviable assignment — booting two siblings who are roosting on a remote Scottish isle where they worship birds — loner city employee Daniel (Domhnall Gleeson of “Harry Potter” fame) embarks on a madcap journey that leads to unforeseen friendships that could fill a void in his lonely, very interior existence. But his first introduction to
Review: 14th-century revolt echoes contemporary malaise in ‘The Uprising’ (opens the original)
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While the images of squalor, muck and the dirt-poor peasants cast “The Uprising” firmly in 14th-century England, the discontent and outrage fueling practically every scene in Paul Greengrass’ tremendous new film sounds a strikingly contemporary chord. The filmmaker who’s best known for three pulse-pounding “Bourne” thrillers starring Matt Damon and unnerving docudrama-like nailbiters such as “United 93” and “The Lost Bus” doesn’t overtly declare that he’s drawing parallels between then and now.
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