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- Indexed articles, last 90 days
- 81
- Latest publication
- Oct 1, 2026
- Outlet visibility, for ArchDaily
- Top 10K sites
- Earliest in this view
- Jul 4, 2026
Latest articles
House Around the Corner in Kugahara / some ( ) + Tezzo Nishizawa Architects (opens the original)
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Text description provided by the architects. A house on a corner lot in Ota, Tokyo. The site was subdivided from a family estate, placing the new home at its south-western corner. Against the Tokyo convention of turning a blank wall to the neighbors, the design opens a garden toward the adjacent properties — bringing light and air into the block's interior. The angle between the interior grid and the facade generates a series of triangular intermediate zones that carry sightlines obliquely from
Simpsons Bay House / Dock4 Architects (opens the original)
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Text description provided by the architects. Simpsons Bay House on Bruny Island, Tasmania, by Dock4 Architects with Giles Newstead, is conceived around the idea of reuse, adaptation and a close relationship with the rural landscape. Rather than beginning with a conventional new-build material palette, the architects allowed the available materials to shape the architecture. The principal inspiration came from the simple rural sheds, agricultural buildings and humble coastal structures found thro
Liù Lín Residence / Choo Gim Wah Architect (opens the original)
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Text description provided by the architects. The Liù Lín Residence takes its name primarily from the six parcels of densely forested land that envelop the residence, as Liù Lín (六林) in Mandarin signifies "six forests." Located in the lush foothills of Janda Baik, Malaysia, the residence is naturally inclined to foster a profound connection with its natural environment. Complemented by its convenient proximity to Kuala Lumpur, it renders an ideal retreat for friends and family.
Brick on Sticks Retail Store / DOT BOT STUDIO (opens the original)
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Text description provided by the architects. Along the dense commercial fabric of Domlur-Indiranagar, a G+3 structure on a modest 40×60 plot announces itself quietly, almost evasively. In a landscape where dimensions are more often associated with compromise than ambition, the architecture resists the instinct to maximize presence through bulk or spectacle. Instead, it operates through a meticulous calibration of structure, material, and intent. Two existing street-edge trees on the footpath ina
Patina House / 182 DESIGN (opens the original)
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Text description provided by the architects. Set within a quiet residential context, Patina House is conceived as an exploration of time through material. Rather than foregrounding form, the design allows materials, craft, and use to shape the experience of the home. The architecture settles into a composed stone envelope that weathers with exposure to the elements, while a curtain of hanging plants forms a living patina, softening the volume over time.
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