Peter Hoskin
- Indexed articles, last 90 days
- 4
- Latest publication
- Aug 29, 2026
- Outlet visibility, for Prospectmagazine
- Top 1M sites
- Earliest in this view
- Jul 15, 2026
Latest articles
Carlo Rovelliâs romantic pragmatism (opens the original)
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Carlo Rovelli is a romantic. Heâd be the first to admit it. Actually, scratch that: heâd be the second. âMy girlfriend always says, âIn a couple, at least one of the two should be romantic,ââ the theoretical physicist tells me with a smile when we meet in the Prospect offices during Londonâs superheated summer. âI am romantic in many ways. Iâm an idealist, obviously. Because I say, why donât we all live together in peace? Which is quintessentially idealist.â Rovelliâs ide
Behind every Green Man⦠(opens the original)
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âPeople think independent festivals are twee, country-fair kinds of things,â Fiona Stewart tells me, a few weeks before the gates open at Green Man, the festival she has owned and run for two decades. âThey donât see the economic impact. In fact, we generate £28m for the Welsh economy.â This is Green Manâs moment. With Glastonbury taking its traditional fallow yearâWorthy Farm belongs to the cows until June 2027âthe four-day festival at Glanusk Park, in the Bannau Brycheiniog Na
The future of games could kill the future of games (opens the original)
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It used to be the case that, when talking to people who don’t play video games, I had to convince them of how big and successful the industry is. “It makes more money than movies and music combined!” I’d say, looking to both surprise and impress. “No single entertainment product has ever grossed more than Grand Theft Auto V!” “The number of people who play Minecraft each month is greater than all but seven countries’ populations!” Nowadays, though, the problem is the other way around: I have to
Polymarket is America, America is Polymarket (opens the original)
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“Post no bills.” A formerly impressive but now shuttered building in downtown Los Angeles has those three words stencilled, again and again, around its perimeter, to ward off people who might paste adverts on its otherwise inviting wooden boarding. Of course, those words are ignored. Seven or eight feet off the ground, there are posters hawking nightclub evenings, new R&B albums, streetwear worn by members of the Kardashian clan. All are tatty at their bottom edges, as though the piss-fumes and
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