Olivier Lafontant
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 11, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Jul 6, 2026
Latest articles
kllhhr: âskinâ (opens the original)
Read excerpt
Summer is dying and I tell myself I hate the cold, but with each little gust of wind Iâve been feeling slight jolts of anticipation. The warning shots of winter have made kllhhrâs âskin,â a barren, phantasmic transmission from the other side of grief, feel like home. A glum theremin melody, a swirl of light piano, and a voice too stuporous to be feigned appear one by one like slowly dissolving mirages. Itâs addictive in the way that staying in bed on a bad day is addictive; I havenât
Ken Carson: xperiment - cartunez (opens the original)
Read excerpt
No one moment can be solely attributed to an artist’s rise, but I remember when it felt like everything suddenly fell into place for Ken Carson. Four summers ago, just a few weeks after his second album, X, came out, he turned a sidestage at Rolling Loud Miami into his little corner of the world. He galloped back and forth in his socks; he whipped his baby dreads and puffed his chest out; he rapped along to his songs for a few syllables at a time, leaving it to the crowd to fill in the gaps. But
Denzel Curry / Kenneth Blume: ii (opens the original)
Read excerpt
Most rappers and beatmakers who manage to stick around for more than a few years, build a dedicated following, and make a healthy living off of music eventually hit a wall. They may ask themselves, “Why am I still doing this?,” searching for the fire they had in their belly when barely anyone knew their name. Music becomes business and business can become tedious. In the background of ii, the long-awaited follow-up to 2020’s Unlocked, Denzel Curry and Kenny Beats—my fault, Kenneth Blume—are reck
twentythree and the 6 (opens the original)
Read excerpt
twentythree has lived through some Project X shit a few times over. “I have this one memory from when I was 16, it was one of the craziest house parties I've been to,” the Toronto rapper-producer tells me while chiefing a joint on FaceTime. “It was a little bit outside of Toronto. The house is packed, everyone's super ratchet, I see guns on the table, everyone’s smoking weed and there's bad bitches. They're blasting the music really hard. At some moment, I remember the whole house was kind of sh
Future: Monster (opens the original)
Read excerpt
“You’re, um, in a public relationship now,” radio host Angie Martinez tells him coyly, toying with the bracelet on her wrist. “How does that feel?” “It feel good,” Future replies unenthusiastically, “going from me being with different girls every day to coolin’, being with one.” He hides his expression behind sunglasses, as usual, but his body language could only be described as lax. “Wait, you went from different girls every day to just one?” Martinez asks. “Every day!” Future shoots back. “Roc
Publishing over time
Last 90 days. Choose a month to open its work.
Recurring subjects
Named in the text we hold. One piece can cover several.
Audience
Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
Website popularity band, not a count of readers or article views.
About this data
Counts cover the work we have indexed. Tone needs enough text and a confident classification. Excerpts and episode notes are not full articles or transcripts.
Identity or attribution wrong? Suggest a correction.