Olivia McEwan
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 17, 2026
- Outlet visibility, for Hyperallergic
- Top 500K sites
- Earliest in this view
- Jul 22, 2026
Latest articles
Anish Kapoor Is a One-Trick Illusionist (opens the original)
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LONDON — Monumentality is a powerful tool for Anish Kapoor; his immense sculptures in his signature red and chrome palette inspire awe when dropped among, say, the grounds of Houghton Hall, Norfolk, or Millennium Park, Chicago, reducing viewers to mere ants. But at his show at the Hayward Gallery, his illusions of monumentality fall short. The most impressive piece, “All of Nothing” (2026), a giant red blood cell, inflates and fills the hangar-like space but somehow makes its surroundings feel s
James McNeill Whistlerâs Music for the Eyes (opens the original)
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LONDON â James McNeill Whistler is at once ubiquitous and obscure. Born in 1834 in Massachusetts, he spent some of his childhood in St. Petersburg, Russia before moving to Paris and then London to study art. While he recalls the motifs and methods of European heavyweights such as Courbet, Renoir, Singer-Sargent, and Constable, Whistlerâs work diverges in its technical progression. Whistler prioritized aesthetic effect over iconographic content, confining each piece to a limited chromatic pal
You Can Love David Hockney and Still Hate His iPad Paintings (opens the original)
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LONDON — The Bayeux Tapestry, an 11th-century, 230-foot (~70-meter) linen that illustrates the story of the Norman conquest, has just returned to England after nearly a millennium for a forthcoming exhibition at the British Museum. Was David Hockney taking the piss out of this event by presenting an even longer 295-foot (~90-meter) composite iPad “painting," titled “A Year in Normandie” (2020–21), at Serpentine Galleries in March? Hockney, who died last month at age 88, argued against the Bayeux
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For Hyperallergic, the outlet · Measured Aug 1, 2026
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