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Olga Garcia-Mayoral

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Aug 12, 2026
Outlet visibility, for WLRN
Top 500K sites
Earliest in this view
Jul 16, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest articles

  1. Article · Aug 12, 2026 · Olga Garcia-Mayoral | Artburst

    In ‘Vigil,’ Venzuelan artist Ana Mosquera redraws the systems that decide who we are (opens the original)

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    At first, Ana Mosquera’s “Vigil” seems impossibly delicate. The curved entrance walls at Oolite Arts are enveloped in pale pinks, muted reds and cool blues. Arches rise across the architecture. Columns, patterned surfaces and imagined passageways turn the gallery into something resembling a temple, civic building or ceremonial chamber. Look closer, however, and the decorative surfaces begin to reveal a considerably more bureaucratic origin. Mosquera built this environment from the security patte

  2. Article · Aug 4, 2026 · Olga Garcia-Mayoral | Artburst

    Miami artist brings graffiti spirit indoors in ‘Partners in Crime’ exhibit in Allapattah (opens the original)

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    A ghost appears repeatedly in the world of Miami artist AES. Sometimes it is reduced to a few economical black lines: rounded, almost cartoonlike, with dripping edges and two vertical marks suggesting eyes. Its simplicity is deceptive. The figure carries the visual immediacy of graffiti—a mark designed to be recognized quickly—but in AES’ hands, “The Miracle Ghost” has traveled beyond the wall into paintings, mixed-media works and sculpture. That movement from street to gallery anchors “Partners

  3. Article · Jul 16, 2026 · Olga Garcia-Mayoral | Artburst

    The geometry of silence: Medina and Tagliafico in Coral Gables (opens the original)

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    “The Silent Paths” at Durban Segnini Gallery in Coral Gables unfolds less as a dialogue between two Venezuelan artists than as an invitation to slow down. Sculptures and installations by Carlos Medina are paired with paintings and mixed-media works by the late Pedro Tagliafico in an exhibition where abstraction communicates through restraint rather than spectacle. In a city where exhibitions often compete for attention through scale and sensory overload, “The Silent Paths” offers something incre

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Top 500K sites

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