HeyJaredNick Howells
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 29, 2026
- Outlet visibility, for Aol
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- Jul 15, 2026
Latest articles
Digger review: Tom Cruiseâs wildest, best performance since last century (opens the original)
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Yes, Tom Cruise is back with a bang in the Oscars ring in his best performance since 1999âs Magnolia (itâs unbelievable to think it was in another millennium when Cruise last earned an acting nod). However, Cruise ainât gonna win nothing if the Academy voters are repelled by the massive roll of the dice of perception that Mexican director Alejandro González Iñárritu (himself no stranger to Oscars glory, having triumphed with both Birdman and The Revenant) takes here. Straight off weâr
Digger review: Tom Cruise’s wildest, best performance since last century - AOL (opens the original)
Read excerpt
Yes, Tom Cruise is back with a bang in the Oscars ring in his best performance since 1999’s Magnolia (it’s unbelievable to think it was in another millennium when Cruise last earned an acting nod). However, Cruise ain’t gonna win nothing if the Academy voters are repelled by the massive roll of the dice of perception that Mexican director Alejandro González Iñárritu (himself no stranger to Oscars glory, having triumphed with both Birdman and The Revenant) takes here. Straight off we’re in big, b
The Dog Stars review: Ridley Scott’s ramshackle post-apocalypse is almost a return to form - AOL (opens the original)
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For those who care about the man, the legend that is Ridley Scott (director of two of the greatest films of all time, Blade Runner and Alien, not forgetting the not-half-bad Gladiator), there was an unspoken collective “phewwww…” at last week’s world premiere for The Dog Stars. Because after the woeful (in varying degrees) House of Gucci, Napoleon and Gladiator II, here’s something, well, not half bad. Don’t start salivating like Pavlov’s dogs just yet though, because this ain’t half brilliant e
The Dog Stars review: Ridley Scottâs ramshackle romp is almost a return to form (opens the original)
Read excerpt
For those who care about the man, the legend that is Ridley Scott (director of two of the greatest films of all time, Blade Runner and Alien, not forgetting the not-half-bad Gladiator), there was an unspoken collective âphewwwwâ¦â at last weekâs world premiere for The Dog Stars. Because after the woeful (in varying degrees) House of Gucci, Napoleon and Gladiator II, hereâs something, well, not half bad. Donât start salivating like Pavlovâs dogs just yet though, because this ainât
The Odyssey review: Christopher Nolan has made an epic worthy of the gods - AOL (opens the original)
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When the floor of the BFI IMAX quakes and the sound thunders up through the seats and into people’s bodies, it’s no false omen. It’s a pant-shaking signal that for the next three, humdinging hours you’re in for a colossal piece of cinema. Arguments will rage for aeons among Nolanites, but forget Oppenheimer (too biopic-y, not bomb-y enough), Inception or The Dark Knight — this is Christopher Nolan’s most towering achievement yet. And as we open with that mythic Trojan Horse lying beached in mile
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