HeyJaredNicholas Quah
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 23, 2026
- Outlet visibility, for Vulture
- Top 50K sites
- Earliest in this view
- Jul 10, 2026
Latest articles
Don’t Overthink Brothers (opens the original)
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In a world that includes Stuart Fails to Save the Universe and the MCU’s fading adventures in streaming, it’s quite the achievement that Brothers hovers near the top of the list of TV shows that are impossible to explain without a specific set of pop-culture reference points. Because, boy, is Brothers hard to pitch cold, so contingent it is on the viewer having some affinity for, or at least a basic familiarity with, the personas and shenanigans of the two Hollywood A-listers at its center. The
The Best Podcasts of the Year So Far (opens the original)
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Vulture podcast critic Nicholas Quah rounds up the year’s best and most interesting podcasts, with an eye toward illustrating broader shifts in the new-media landscape. Check back each month for new additions, which are noted with an arrow. Entries are organized roughly by release date, with the most recent picks appearing first. Data centers were a hot topic of political conversation over the summer, so much so that even Jason Kelce, famously opaque with his politics, got into the anti-data-cen
Chad Powers Gets Freaky With It (opens the original)
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The return of Chad Powers is far more interesting and stimulating than it had any right to be. Frankly, this is not at all what I expected when the Hulu comedy first arrived last year presenting as a cynical attempt by Disney to manufacture its own Ted Lasso–esque IP. To be fair, it probably was. But giving the reins to Michael Waldron, who masterminded the terrifically mind-bending first season of Loki, and pairing him with star Glen Powell raised the ceiling of what Chad Powers could become, a
Chris Hansen Can’t Stop Talking About Primetime (opens the original)
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Being a figure who gets the fictional Hollywood treatment is always an unnerving prospect, especially in an era when it’s increasingly uncommon for a subject to have no say in shaping their own portrayal. Especially when Robert Pattinson, who’s in the running to be the freakiest male actor of our generation, has been cast to portray you — or at least a character “inspired by” you who also happens to share your name (and most of your biography). And especially when it sure looks like he’s portray
Don’t Believe YouTube’s Emmy Hype (opens the original)
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With SubwayTakes, YouTube is having its breakthrough moment — a tipping point that, years from now, will mark the moment the television Establishment finally welcomed the creator economy, or at least its more polished YouTube-facilitated shows, into Hollywood as its equal. That’s certainly the story YouTube would like to tell, anyway. CEO Neal Mohan argued in a May guest column for The Hollywood Reporter that creators “deserve the same acclaim as other creative professionals.” So when SubwayTake
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