Nate Jones
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 10, 2026
- Outlet visibility, for Vulture
- Top 50K sites
- Earliest in this view
- Jul 21, 2026
Latest articles
The Rise of the Butt-Numbingly Long Documentary (opens the original)
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I spent Monday night at the Venice Film Festival in preparation. In some ways, it felt like I was getting ready to run a half-marathon. I had to make sure I ate enough carbs, was amply hydrated, and had planned out bathroom breaks. In other ways, it felt like I was planning to take an international flight. I went for a little walk, made sure I got enough fresh air and sunshine beforehand, because I was about to strap in for what has become an increasingly common film-festival experience. It was
The Biggest Tearjerker at Venice Is … the Oasis Documentary? (opens the original)
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Around noon on Saturday, the group chat I share with a few other American journalists here at Venice started popping up with surprising news about the documentary Oasis: Don’t Look Back in Anger. “Might just be that point in the festival, but Oasis made me cry,” one of them wrote. “Yes, same,” wrote another. “I cried for like half the doc,” a third person confirmed. “And I’m not even a die-hard fan!” A film is never just a film — it’s also how you were feeling when you saw it, who you were with,
Primetime Might Be Robert Pattinson’s First Real Shot at an Oscar (opens the original)
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Since breaking out in the tween-friendly Twilight saga twenty years ago, Kristen Stewart and Robert Pattinson have each transformed themselves into Hollywood’s most arthouse-friendly weirdos. Stewart sealed her reinvention with a Best Actress nomination for Spencer back in 2022, but due to the Academy’s longstanding bias against hunks, Pattinson has been forced to wait longer for his own induction into the Oscar clubhouse. After the performance we’ve just seen the 40-year-old actor give at the V
Wild Horse Nine Looks Like Fall’s First Oscar Contender (opens the original)
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The high drama of Oscar season often holds Shakespearean undertones — what was Timothée Chalamet’s Marty Supreme campaign but an echo of Henry IV, Part 1 — but rarely do these debts to the Bard feel so apparent than at the Venice Film Festival debut of Martin McDonagh’s Wild Horse Nine, which may as well have been a modern-dress rendition of Julius Caesar. Three tests of public approval occurred, and the movie triumphed at each. In fair Venice where we lay our scene, Wild Horse Nine was one of t
Werner Herzog Brings Two Mara Sisters to Venice for the Price of One (opens the original)
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Bucking Fastard, Werner Herzog’s first fiction film since 2019, belongs to a hallowed lineage of cinema about weird gals getting into mischief. And yet, as Herzog admitted at the press conference ahead of the film’s premiere at the Venice Film Festival, it may also be the most unique film he’s ever done: “It will never happen again in film history, I think, and has never happened before.” (For optimal results, please read all of Herzog’s quotes in your own best Werner Herzog accent.) That’s beca
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