HeyJaredNatallia Pearmain
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 14, 2026
- Outlet visibility, for The Upcoming
- Top 5M sites
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- Jul 14, 2026
Latest articles
For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf at Yard Theatre | Theatre review (opens the original)
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50 years since its Broadway premiere, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf has opened at the Yard Theatre in Hackney, London. Written by Ntozake Shange, the show is her seminal choreopoem, following the stories of several women whose tumultuous lives have led them to and through graphic, painful moments. It covers the topics of rape and sexual violence, domestic violence, abortion, drug use, infanticide and suicide. Still, the women also embody love (of self a
Death Note the Musical at Barbican Theatre | Theatre review (opens the original)
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Death Note is a story about competing versions of justice, where L and Light battle over whose vision should prevail. Death Note has journeyed from manga to anime to musical, allowing each adaptation to reinterpret that central conflict. Frank Wildhorn’s version has now arrived on the London stage following its English-language concert at the London Palladium in 2023, bringing with it a mixture of returning and new cast members and creatives. There is plenty to admire here, particularly its ambi
The Car Man at Sadler’s Wells | Theatre review (opens the original)
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Dancing through the hottest summer in London, by far, is one of the hottest award-winning shows from the mind of Matthew Bourne: The Car Man. Loosely – and the emphasis is on the loosely – based on Bizet’s prevailing opera Carmen, The Car Man (yes, it took this reviewer a while to catch that too) is set in a 1950s American garage-diner where the dramatic score we are used to from Carmen, reimagined by Terry Davies, is combined with energetic, emphatic and at times flawless dance sequences to ret
Tender at Bush Theatre | Theatre review (opens the original)
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Following a successful run in the Bush Theatre studio, Tender returns for a limited run in its main theatre. Written by Eleanor Tindall and directed by Emily Aboud, the play follows Ash, who, fresh out of a turbulent and suggestively abusive relationship with a controlling and obsessive man, has turned to dating women, and Ivy, who, though in a heteronormative relationship, silently longs to be free of her controlling and sexually coercive boyfriend. From the outset, the play feels ambitious in
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