Molly Mary O’Brien
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 18, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Jul 17, 2026
Latest articles
Beabadoobee: Pylon (opens the original)
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Last year, the fashion writer Biz Sherbert went to a Deftones concert in Atlanta and interviewed attendees before the show. The 2020s revitalization of the alt-metal pioneers is pretty well established at this point, but Sherbert’s documentation showed off the band’s popularity with young women specifically; she photographed teenagers and college students in miniskirts and tank tops, many of whom had discovered Deftones algorithmically, through Spotify or TikTok. The scene looked a lot different
Sam Smith: Hazel Eyes (opens the original)
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It would have been understandable if Sam Smith wanted to stay in the body shop a little while longer. Their 2023 hit “Unholy,” a spooky infidelity bop featuring Kim Petras, was camp enough (in a “Looking camp right in the eye” kind of way) to inspire a period of mass awareness rare for our fractured pop culture landscape. Smith performed it at the Grammys in a silly top hat with devil horns that nonetheless got freaked-out conservatives hooting and hollering about Satan worship; the reality show
Role Model: Chuck Timely & The Hourglass (opens the original)
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Tucker Pillsbury says he’s playing a character called Chuck Timely on his new album, and it’s not the first time he’s had an alter ego. To promote 2024’s Kansas Anymore, the singer usually known as Role Model maintained a second social media presence, a crass imposter named Saint Laurent Cowboy who described his record as “a dude who just blew your fucking back out” and said things like “if you see a guy wearing a wool sweater on this app singing Gracie Abrams, just know he’s manipulating you, a
Gracie Abrams: Daughter From Hell (opens the original)
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In a Popcast interview about her third album, Daughter From Hell, Gracie Abrams talked about how she’d changed her songwriting style. A few years older and more conscientious of the feelings of the people she wrote about, she described the new record as “a little bit less diaristic, and mildly more existential.” Existential is right, but “mildly” is putting it, well, mildly: By the end of the album, you will hear many different attempts to explain how it feels to be Gracie Abrams, or at least to
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Audience
Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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