HeyJaredMike Greenhaus
- Indexed articles, last 90 days
- 8
- Latest publication
- Sep 29, 2026
- Outlet visibility, for Relix
- Top 1M sites
- Earliest in this view
- Jul 6, 2026
Latest articles
Margaret Glaspy: Recentering the Compass (opens the original)
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In order to properly craft her latest full-length LP, I Am Both, Margaret Glaspy had to reclaim her self-described “creative practice.” And in order to reclaim that creative practice, the singer/guitarist had to step off the grid in the most 21st century way imaginable—she put down her phone. “Making this album plugged me back into my own brain,” she says in August, shortly before dropping I Am Both, her fourth full-length LP, via ATO. “I started to sense that something was getting away from me
Houndmouth: You Don’t Have to Be Perfect About It (opens the original)
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When Matt Myers arrived at producer Brad Cook’s Durham, N.C. home to begin work on what would become Houndmouth’s fifth full-length album, Lordy, he was greeted with a simple gesture that ended up setting the tone for the creative burst that would follow—a hug. “I was going through this life situation and after extreme things happen in your life, you don’t know where people will stand with you,” Myers says, as he thinks back on his initial meeting to discuss what would become Lordy with Cook ove
On The Verge: Morgan Nagler (opens the original)
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“I had taken a break from my personal musical projects to focus on collaboration and co-writing with other artists,” Morgan Nagler says, as she discusses the long gestation of her debut album, I’ve Got Nothing to Lose, and I’m Losing It. “During that time, I kept writing on my own because it’s just what I do. And, at a certain point, I thought, ‘There’s a lot of songs here. I probably should put some of them out.’” Nagler’s journey to a solo career was circuitous, to say the least. In the late ’
Matisyahu: The Still Voice (opens the original)
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Matisyahu has long occupied a unique place in the live-music world. Though raised in a Reconstructionist Jewish home right outside New York City—where he frequently attended jamband concerts in the late ’90s—the 47-year-old-musician first stepped into the national spotlight as a Hassidic reggae singer and rapper in the mid-2000s, a few years after he started attending an Orthodox Jewish synagogue on the Upper West Side. In the span of a few short years, he churned out radio hits like “King Witho
The Revivalists: Lay It On Me (opens the original)
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It was around 3 a.m., over two years ago, when David Shaw woke up in a panic. The now 43-year-old musician, best known as the frontman for next-generation New Orleans favorites The Revivalists, has famously stayed clear of alcohol and hard drugs for going on two decades. And yet, in the middle of the night, he couldn’t shake the set of charged lyrics that came running through his head: “Well, I’m so bored, so bored of being sober/ Maybe I’ll go downtown, to some bar down on Decatur.” He jumped o
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