HeyJaredMike Greenblatt
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 2, 2026
- Outlet visibility, for The Aquarian
- Top 5M sites
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- Jul 6, 2026
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RANT’N’ROLL (opens the original)
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On August 21, Steve Earle took the stage quietly at Bethlehem Pennsylvania’s MusikFest Café. There was no star entrance for him, as he was probably wearing his “cleanest dirty shirt” as Kristofferson once wrote. Once there, he started his two-hour solo “51 Years of Songs and Stories” set by explaining how he was fired from his two publishing deals before writing songs for his own damn self. Then he launched into “Guitar Town.” You could hear the drums and bass in your own mind. Ditto for “Copper
RANT’N’ROLL (opens the original)
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Guitarist/Vocalist/Producer Rick Vito is, indeed, a Slidemaster, and proves it on his all-instrumental 12th solo album (MoMojo Records). The material is pristine, mostly original, and imbued with an unerring razor-sharp alacrity. Back in the early days of Fleetwood Mac, Peter Green wrote “Albatross” and “The Supernatural.” Vito spent 1987 to 1991 in Fleetwood Mac. Sam Cooke’s hopeful “A Change Is Gonna Come” is more mournful than the original (maybe because that change never materialized). Vito
RANT’N’ROLL (opens the original)
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In 1996, Ledbetter Heights, by teenage Louisiana phenom Kenny Wayne Shepherd, went platinum. Named after Huddie William Ledbetter, better known as Lead Belly, it spent 10 weeks at #1 on the Billboard Blues Chart. Shepherd has since gone on to have a 12-album career as well as starting a band called The Rides with Stephen Stills. Thirty Tigers Records has now released Ledbetter Heights (The 30th Anniversary Sessions) wherein Shepherd re-records the entire album, complete with three decades of per
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