HeyJaredMichele Chan
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 11, 2026
- Outlet visibility, for ArtAsiaPacific
- Top 5M sites
- Earliest in this view
- Aug 14, 2026
Latest articles
In Search of Lost Stillness: âNothing Still about Still Lifesâ in Nanjing (opens the original)
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Nothing Still about Still Lifes: Masterpieces from the World of Flowers CollectionDeji Art MuseumNanjingAug 2023âongoing I have never much liked pansies. The name derives from the French pensée, âthought,â the flower said to resemble a face deep in contemplation; to me it has always looked simian and squashed, like a scowl. But at the Deji Art Museum in Nanjing, I find myself transfixed by Georgette Chenâs Pansies (c. 1940s), painted in diluted earth tones during the years she and her h
Yayoi Kusama, 1929â2026 (opens the original)
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Yayoi Kusama, whose practice mobilized seriality and proliferation into a singular visual language at once euphoric and annihilating, died in a hospital in Tokyo on August 14. She was 97. Announcing her death on August 27, her studio said she had continued to paint until her final days. The late Kusama was received as an artist of joy and abundance. Through fields of dots, monumental pumpkins, and vast mirrored chambers, she drew mass audiences into her repetitions and reflections. But her workâ
Liu Wei: Bare Life, Bare Love (opens the original)
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In two conjoined chambers of Liu Wei’s cavernous workspace on the outskirts of Beijing sit four sculptures, midway through fabrication, destined for the Fifth Avenue façade niches of The Metropolitan Museum of Art in New York. Their nascent rawness—rough-hewn edges, plaster surfaces, forms partially shielded by scaffolding—lends them a gestating tension at once vulnerable and charged. Around them, assistants tend torches against metal, others wield spatulas on ladders, and a photographer moves s
Liu Wei: Bare Life, Bare Love (opens the original)
Read excerpt
In two conjoined chambers of Liu Wei’s cavernous workspace on the outskirts of Beijing sit four sculptures, midway through fabrication, destined for the Fifth Avenue façade niches of The Metropolitan Museum of Art in New York. Their nascent rawness—rough-hewn edges, plaster surfaces, forms partially shielded by scaffolding—lends them a gestating tension at once vulnerable and charged. Around them, assistants tend torches against metal, others wield spatulas on ladders, and a photographer moves s
Unfinished Skies: âPrayers to Fornaxâ at Hyundai Motorstudio Beijing (opens the original)
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Prayers to Fornax: Science, Technology, and SpiritualityHyundai Motorstudio BeijingBeijingJul 18âDec 13, 2026 For an exhibition whose subtitle invokes âscience, technology, and spirituality,â âPrayers to Fornax,â curated by Hyundai Blue Prize+ 2025 winners Yifeng Wei and Penny Dan Xu, is guided less by futurity than by epistemic humility. Few shows attempt to hold science and mysticism in the same breath; this one does, engaging both not as claims to truth but as provisional, often ove
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