HeyJaredMateus Nunes
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 24, 2026
- Outlet visibility, for Artforum
- Top 500K sites
- Earliest in this view
- Aug 20, 2026
Latest articles
Luisa Matsushita (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. Through September 27, 2026—The eleven paintings in Luisa Matsushita’s exhibition “Everything I Know, I Learned at Night” don’t treat abstraction as a retreat from the world. Instead, yet seem to understand it as a form of choreography, one in which color, shape, and scale retain traces of the body that set them in motion. The res
A Heritage Redefined: Rubem Valentimâs Afro-Brazilian Abstraction (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. Through August 2, 2026—Few Brazilian artists are as readily identified with a single visual language as Rubem Valentim (1922–1991). His geometric vocabulary—drawn from Yoruba and Afro-Brazilian sacred traditions—has long defined his place within twentieth-century abstraction.“ a ordem do sensível” (the order of the sensible), how
Chromatic Relations: Peter Bradley Takes a Chance on Color (opens the original)
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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. Through August 28, 2026—In an exhibition of fourteen new paintings at Karma, Peter Bradley extends his interest in chance—namely, what happens when the caprices of paint dictate the formation of the image. The artist approaches his work horizontally, pouring acrylic directly onto canvases textured with glass or pumice. As the pig
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Top 500K sites
For Artforum, the outlet · Measured Aug 1, 2026
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