Marissa Lorusso
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 18, 2026
- Outlet visibility, for Pitchfork
- Top 50K sites
- Earliest in this view
- Aug 10, 2026
Latest articles
Carly Rae Jepsen: Day and Night (opens the original)
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It is a truth universally acknowledged that a single Carly Rae Jepsen record must be in want of its other half. A year after the Canadian pop star released her breakthrough record, 2015’s E•MO•TION, she returned with E•MO•TION Side B. 2019’s Dedicated received similar treatment. By the time Jepsen released the companion album to 2022’s The Loneliest Time, the “surprise” drop hardly registered. This brand of excess is key to Jepsen’s charm. Here is a singer who’ll repeat the word “really” six tim
Lily Seabird: Lightspheres on Their Way (opens the original)
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Lily Seabird has a history of finding beauty in sordid places. Her stage name was borne of an insult riffing off her actual last name, Seward: An ex-boyfriend disdainfully said she ought to be called “Lily C-word,” before a friend compared her more favorably to a “seabird.” Her last record, Trash Mountain, was named for a decommissioned dump on which she and other artists shared a beloved home. On her latest, Lightspheres on Their Way, she chooses seemingly unexpected moments to swap out her ras
Mallory Hawk: Chinook (opens the original)
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Though Chinook is her debut solo record, Mallory Hawk is no rookie. After graduating from college, she sold merch and scanned tickets at venues in Boston; then, during a decade in New York, she played in the post-punk band Customer and the tender indie-rock project Trace Mountains (and served as the touring bassist for M(h)aol, a feminist punk group from Ireland). She was employed for a while by the indie-pop label Double Double Whammy, eventually working her way up to become its director. These
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Top 50K sites
For Pitchfork, the outlet · Measured Aug 1, 2026
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