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- Indexed articles, last 90 days
- 18
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- Sep 25, 2026
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- Jul 13, 2026
Latest articles
English National Ballet: Rhythm Riot review – this triple whammy brings zing, grit and chills - AOL (opens the original)
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Damn, there was some amazing dance going on in mid-20th century New York. You had George Balanchine forging a new American ballet, all slick speed and striking angles, and in Harlem there was the Cotton Club and the Savoy, swinging dancefloors and entertainers like the legendary Nicholas Brothers, of whom Balanchine was a fan. There’s a taste of this world in English National Ballet’s latest triple bill, with a distinctly American flavour and a focus on propulsive rhythm. Balanchine’s Symphony i
She was the Royal Ballet’s first ‘young choreographer’ – Charlotte Edmonds’ next 10 years show how dance is changing - AOL (opens the original)
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At the age of 18, Charlotte Edmonds was such a promising choreographer (“astonishing”, in the words of the Observer) that the Royal Ballet invented a whole new job for her. As the company’s “young choreographer”, she spent three years learning everything she could at one of the world’s biggest dance institutions. “It’s mad to think that happened,” she says, a decade on. With that kind of start, you’d expect Edmonds’ career to have followed a predictable narrative, choreographing for the big ball
Kimberly Akimbo review – hilarious musical about a sexagenarian teen is one for the ages - AOL (opens the original)
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It’s a bizarre concept for a musical: a girl with a rare condition that causes her to age four times faster than her peers, in a family so dysfunctional that she’s the normal one. Meanwhile, the musical highlights are songs about cheque fraud and scurvy. And yet, somehow, through all this artifice and elaborate setup comes a show so sincerely heartfelt, one that is genuine, hilarious and utterly endearing. Kimberly Akimbo started out as a play, in 2001, by Pulitzer prize-winner David Lindsay-Aba
When Prophecy Fails review – gripping dive into a doomsday cult - AOL (opens the original)
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In the early 1950s in the American midwest, a woman known by the alias of Marian Keech awoke in the night with the urge to write. But the words that came out weren’t her own: it was the voice of her late father, she was sure. Other voices from the beyond began to use Marian as a conduit, ultimately Jesus Christ himself, which is how Keech came to be at the centre of a doomsday cult of seemingly ordinary citizens convinced the world was about to end, but that they would be rescued by aliens from
Shapes and ladders: Edinburgh fringe’s dance shows reach for the sky - AOL (opens the original)
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If you want to be wowed by technical prowess, I recommend taking a trip to see a couple of New York pole dancers, Donna Carnow and Gina Alm, in their Edinburgh fringe show Dusk/Night/Dawn. The pair are wildly impressive performers with just one piece of apparatus, a hanging pole suspended above the stage, on which they climb and spin and balance seemingly on thin air and origami their limbs into impossible shapes, swimming and spiralling through the shadows in mesmerising fashion. What they demo
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