Liam Rudden
- Indexed articles, last 90 days
- 11
- Latest publication
- Sep 30, 2026
- Outlet visibility, for The Edinburgh Reporter
- Top 1M sites
- Earliest in this view
- Jul 17, 2026
Latest articles
Liam Rudden's Must See Theatre - October Edinburgh (opens the original)
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Did you see The Silence of the Lambs at the Festival Theatre last month? A fantastic looking production let down by a too wordy script and a particular piece of adventurous casting, one question kept running through my head as I watched it unfold, ‘Why?’ Why attempt to recreate a five time Oscar-winning film on stage? Then, having decided to do just that, why cut what is arguably the signature line, the one everybody is waiting to hear delivered live? That said, full marks to the Capital Theatre
Review: Private Peaceful ⭐️⭐️⭐️ (opens the original)
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At near 90 minutes with no interval, Simon Reade’s adaptation of Michael Morpurgo’s novel, Private Peaceful, is a mammoth learn for any actor. It’s a challenge that Benjamin Cain, making his professional debut, rises to impressively. A solo piece, Cain is Private Tommo Peaceful, one of the many underage soldiers who took the King’s Shilling only to find themselves thrown into the front line trenches of World War One, unprepared for the horrors they would face, themes Morpurgo would later devel
Review: Annie The Musical ⭐️⭐️⭐️ (opens the original)
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This return of the musical Annie to the Edinburgh Playhouse is a particularly poignant one. The 2023 production starred Paul O’Grady, back in the role of Miss Hannigan for the first time in 25 years. Arguably, he was the attraction, not the title. He died at home suddenly, just three days after giving his final performance as Miss Hannigan at the venue. Consequently, this latest production looks to the title itself to shift tickets with musical theatre stalwarts Claire Sweeney and Alex Bourne dr
Must See Theatre for the month ahead in Edinburgh (opens the original)
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I’ve said it before, one of my pet hates is shows that go up late. The Fringe was full of them, even the Traverse managed to start the first show of the day 10 minutes late one morning, the Pleasance went further with a 17 minute hold up on the second show of the day. Likely, they’ll blame audiences, but having worked the other side of the game, often it’s simply down to the venue producers not allowing adequate time between shows for a proper turn around. Cramming in shows might make money but
BBC Radioâs The Archers comes to Edinburgh Playhouse to celebrate 75 years on-air (opens the original)
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Broadcasting six times a week to five million listeners, The Archers follows the everyday lives, loves, and dramas of residents of Ambridge, the fictional village deep in the heart of the English countryside. A cornerstone of the British cultural landscape, the show has chronicled seven decades of significant social and cultural changes and events in Britain. It is one of the BBCâs most popular programmes and is currently the top… This site uses Akismet to reduce spam. Learn how your comment d
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