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- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 18, 2026
- Outlet visibility, for The Hollywood Reporter
- Top 10K sites
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- Sep 13, 2026
Latest articles
‘The Face of Horror’ Review: Kristine Froseth Sparkles, but Anna Biller’s Medieval Tale Can’t Stop Getting in Its Own Way (opens the original)
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In her 2016 film The Love Witch, writer and director Anna Biller told the story of a modern-day witch driven by her desire for the kind of classical romance that fairy tales are made of. The film is adorned with musical and aesthetic touches that allude to an idealized past of knights, princesses, kings and queens. And in one pivotal scene, the heroine takes her lover to a renaissance fair that gives her a stage to play out her medieval-inspired fantasies. Now, a decade later, Biller has returne
‘Trash Mountain’ Review: A Gay Man Returns to His Conservative Hometown in a Warm, Perceptive Indie Comedy-Drama (opens the original)
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Being queer in a red state is a uniquely painful and complicated experience. And when you add inescapable parental dysfunction, leaving home can feel like a great escape. So when Gavin (Caleb Hearon) gets an urgent call from his hometown in Missouri, his dread is immediate. Moments before, he was surrounded by his chosen family as they walked together on the Chicago streets after a raucous drag show. Thanksgiving is just around the corner and he was planning to spend it there, in a bubble of que
‘Love of Your Life’ Review: Margaret Qualley Eats, Grieves and Loves in an Unpersuasive Romantic Travelogue (opens the original)
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After decades of stellar work, cinematographer Rachel Morrison finally got her big break with Dee Rees’ sophomore feature Mudbound. In 2018, Morrison became the first woman ever to be nominated by the Academy Awards for best cinematography. She then parlayed that acclaim — and acclaim for her continued collaborations with Ryan Coogler — into a directorial pivot. In 2024, she made the deeply sincere sports biopic The Fire Inside. With a script from director Barry Jenkins, Morrison crafted a class
‘Your Mother Your Mother Your Mother’ Review: Mahershala Ali Is a Marvel in a Gripping Crime Film With a Big, Aching Heart (opens the original)
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In cinema, the life of an assassin is often a solitary one. The demands of being a killer are enough to fill a man’s time. The fewer people around him, the fewer chances for error or tragedy. And then there are the philosophical questions: How can one participate in life when your occupation is death? Can a killer give life and nurture it properly? These questions also haunt our veterans, coming home to their families after killing abroad. Settling down becomes a new struggle, especially when mo
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For The Hollywood Reporter, the outlet · Measured Aug 1, 2026
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