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Jori Finkel

Reporter

Indexed articles, last 90 days
3
Latest publication
Aug 10, 2026
Outlet visibility, for The Art Newspaper - International art news and events
Top 500K sites
Earliest in this view
Jul 22, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest articles

  1. Article · Aug 10, 2026 · Jori Finkel

    Comment | What happened to George Lucas’s vision of a museum for ‘the people’? (opens the original)

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    Los Angeles right now is a city of extremes, not far from what Octavia Butler once imagined in her dystopian novels. While the county boasts more than 55 billionaires, around 1.35 million people here live below the federal poverty line, and around 45,000 of them are unhoused. You can feel the inequity in your bones. Or see it near the freeways, where Waymo’s self-driving Jaguars glide past homeless encampments. And the inequality is only getting worse, thanks in part to the billionaire—make that

  2. Article · Jul 30, 2026 · Jori Finkel

    Comment | The Obama Presidential Center aims high, like a Gothic cathedral (opens the original)

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    Telling the story of an unusually thoughtful US president and the political shifts that brought him to power, the Obama Presidential Center on the South Side of Chicago has since opening in June served as a beacon for thousands of Americans depressed by the current administration’s corruption and perversion of democratic values. The monthly ticket drops have quickly sold out, and long lines form each day to visit the café, which is open to the public. But so far responses to the “Obamalisk”, the

  3. Article · Jul 22, 2026 · Jori Finkel

    Yoko Ono’s most famous performance art piece cuts both ways in Los Angeles (opens the original)

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    The latest version of Yoko Ono’s Cut Piece (1964), performed by the artist MPA in downtown Los Angeles on Sunday (19 July), turned out to be an example of mutual aid in the form of a trust fall disguised as a striptease. Like the original performance, a cornerstone of feminist art, it began with the artist sitting down quietly and silently on stage fully clothed, with a pair of scissors nearby. It ended when an audience member—one in a long line of spectators-turned-participants—snipped off the

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