HeyJaredJordan Mintzer
- Indexed articles, last 90 days
- 18
- Latest publication
- Sep 28, 2026
- Outlet visibility, for Yahoo
- Top 1K sites
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- Aug 24, 2026
Latest articles
‘Heil Jupiter!’ Review: Mexican Arthouse Auteur Carlos Reygadas Takes a Beguiling Cinematic Trip to Nowhere (opens the original)
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Iconoclastic Mexican director Carlos Reygadas continues to test the boundaries of cinema, and the patience of many a viewer, in his latest audaciously executed head trip, Heil Jupiter! Making its world premiere at the New York Film Festival, this highly experimental and exhausting experience hops across several continents, time periods and languages — including an invented one used for many dialogue scenes — as it follows four friends whose lives go from heavenly to hellish over the course of 15
‘Kill Me Now’ Review: A Tired Hollywood Suspense Satire Riddled with Borscht Belt Humor (opens the original)
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Picture Robert Altman’s The Player remade as a contemporary Woody Allen movie, except Woody is played by a woman who’s even more neurotic than he is, and you’ll get a whiff of indie director Michael Polish’s latest comic concoction, Kill Me Now. Starring Jacqueline Singer (who also wrote the screenplay) as an anxiety-ridden screenwriter convinced her neighbor is stalking her — did I say the film sounded like The Player? — this rather tired satire of the movie biz gets a few good jokes in but is
‘Milo’ Review: Marion Cotillard Carries a Somber, Classically Made French Drama With Hints of Film Noir (opens the original)
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Since the late 1960s, Nicole Garcia has carved out an intriguing niche for herself in French cinema. She started out as a promising young actress in films by Bertrand Tavernier, Jacques Rivette, Claude Sautet and Alain Resnais, most notably starring alongside Gérard Depardieu in Resnais’ masterful My American Uncle. Then in the early ‘90s she made the move behind the camera, building up a solid filmography over the past three decades with a predilection for dark dramas (The Adversary), romantic
‘What Remains’ Review: A Slow-Burn, Subtly Powerful Portrait of a Creative Couple in Turkey Coming Back From the Edge (opens the original)
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The poetry of real life, and the poetry you jot down in notebooks or recite in your head, come clashing together in subtly powerful ways in What Remains (Artakalan), the latest feature from veteran Turkish filmmaker Yesim Ustaoglu (Clair Obscur). Following a bohemian couple from Istanbul who hit a wall both creatively and personally, this slow-burn drama takes a little too much time to get the ball rolling but evolves into an honest portrait of artists finding their way out of the darkness. Afte
‘Back to Buenos Aires’ Review: A Brooding Drama Revisits the Violent Days of Argentina’s Dictatorship, and the Traumas That Remained in Its Wake (opens the original)
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The dark days of Argentina’s dictatorship return to haunt a man 30 years later in Back to Buenos Aires (Ritorno a Buenos Aires), director Marco Bechis’ brooding portrayal of the deep wounds left by a military junta that tortured and killed thousands of people during its brutal reign over the country. Powerful and well-played, if sometimes lacking in tension and plausibility, this Venice competition premiere should find additional slots in festivals and arthouses throughout Europe, as well as in
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