HeyJaredJon M. Gilbertson
- Indexed articles, last 90 days
- 6
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Shepherd Express
- Top 5M sites
- Earliest in this view
- Aug 28, 2026
Latest articles
Bright Eyes at the âKids Tableâ (opens the original)
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The three musicians who make up the creative core of Bright EyesâConor Oberst, Mike Mogis and Nate Walcottâhave taken many breaks from the collective to work on other projects. âThose things are nice palate cleansers,â Walcott said, perhaps with a touch of irony, during a recent phone interview. âThey allow us to come back to Bright Eyes with clearer minds.â Last year, that clarity resulted inâ¯Kids Table, an eight-song EP that follows closely upon the 2024 LPâ¯Five Dice, All Thr
Hotel Usona, by Protomartyr (opens the original)
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The central concept of Hotel Usonaâthe United States of America as a hotelâreveals itself with more subtlety than did the central theme of Hotel California. Then again, a post-punk Detroit band like Protomartyr should and does have more real-world perspective within its seventh LP than the Eagles did on their fifth. The âpost-â part of post-punk contributes to that perspective: while the Stooges or the White Stripes might have smashed the hotelâs windows and wiped blood from the bre
HUG, by HUG (opens the original)
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Georgeson has engineered and mixed indie-folk harpist Joanna Newsom and late UK folk legend Bert Jansch, among many othersâallows for greater naturalism. Banhart adds spindly kalimba notes to the buoyancy of âCow with Half Moon Parasolâ; Georgson undergirds his fellow players with simple bass on the thoughtful âNear Death Ibizaâ; and Riley plays acoustic, electric, and slide guitars with sensitive proficiency. The additions from othersâThorleifur Gaukur Davidssonâs lonesome harmo
Margaret Glaspyâs One-Woman Tour (opens the original)
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Around three years ago, at nearly the same time singer-songwriter Margaret Glaspy began creating the songs for her fourth album, this yearâs I Am Both, she turned away from social media. âI felt like I was becoming addicted,â Glaspy said during a recent phone interview. âAs I started to poke at it, I realized it was a more serious problem. My own process of making music had become unconsciously self-aware. I needed to have some distance.â She performs 8 p.m. Saturday, Sept. 12 at Viva
Who Loves the Sun, by Chat Pile (opens the original)
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A broken bottle lying in patchy grass. A long-dormant factory surrounded by the cracked remains of an asphalt parking lot. The charred skeleton of a family sedan crumpled under other junkyard detritus. These things can be beautiful. With noise-rock aggression, Chat Pile etches several such tableaux of global, social and personal decay across its third long-player, Who Loves the Sun. Inside the aggression, though, the Oklahoma City quartet expresses despair, resignation and tenderness. At first,
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