HeyJaredJohn Moore
- Indexed articles, last 90 days
- 18
- Latest publication
- Sep 23, 2026
- Outlet visibility, for Glide Magazine
- Top 5M sites
- Earliest in this view
- Jul 9, 2026
Latest articles
Maddie Medley Experiences Musical Rebirth with Ethereal and Moody Indie Folk on 'Fawn’s Enemy' (ALBUM REVIEW) - Glide Magazine (opens the original)
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At just 20 years old, Maddie Medley had already toured with folks like Brent Cobb, Adia Victoria and Rainbow Kitten Surprise; impressed influential producer Dave Cobb enough that he produced her debut EP; and signed to a major label. Several years later, frustrated by the music industry, she left that label, left Nashville and, at least for a while, left music. In the process of building a new life, she worked at a grocery store, trained as a yoga instructor, and somehow managed to write and rec
Indie Rock Artist beabadoobee Achieves Most Adventurous and Fully Realized Effort Yet with 'Pylon' (ALBUM REVIEW) - Glide Magazine (opens the original)
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There is an undeniable feeling of uncertainty and isolation that runs throughout Pylon, the fourth LP from London-based indie rock musician Bea Lau (who performs as beabadoobee). Part of that could come from writing much of the record on tour, away from family and friends. Or maybe it’s simply because she’s a 20-something-year-old artist who has spent nearly a decade recording and performing, seeing her popularity rise exponentially year after year, all while grappling with the transition from t
Winyah Capture Small Town Restlessness with Guitar-driven Indie Rock on 'Right Here, Right Now' (ALBUM REVIEW) - Glide Magazine (opens the original)
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There is an authenticity to the music of South Carolina’s Winyah that can’t be faked. Much like The Strokes were distinctly a New York band and their music reflected the city they grew up in, Winyah’s indie rock has a breeziness and small-town sentimentality that feels of its time and place. The songs, especially on their sophomore effort, Right Here, Right Now, capture a restlessness that comes from driving around the same dusty roads and hanging out in backyards on summer nights. The record op
Brooke Annibale Finds New Inspiration with Confident and Ambitious Indie-folk on 'Bolder Font' (ALBUM REVIEW) - Glide Magazine (opens the original)
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It’s been four years since Rhode Island-based indie/folk artist Brooke Annibale last put out an album, and Bolder Font, her latest, almost never happened. After a professional setback, Annibale considered walking away from music for good. Thankfully, she reconsidered. Bolder Font marks a remarkable step forward, both musically and lyrically, and is the strongest collection of songs in her two-decades-plus career. Across 10 emotionally stirring tracks, the record holds some of her most personal s
Hannah Cole Swirls Shoegaze, Alt-rock, and Sophisticated Pop Melodies Into Compelling Debut on 'Switchbacks' (ALBUM REVIEW) - Glide Magazine (opens the original)
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Thanks to Olivia Rodrigo’s wildly successful Daisy Chain Fields Music Festival last week, a new generation of fans is discovering Gen X alt-rock staples like The Breeders, Garbage, and Bikini Kill. On a much smaller scale (at least for now), Nashville’s Hannah Cole may be responsible for introducing Gen Z to the beauty of shoegaze bands like Ride and Lush. On her debut LP, Switchbacks, she melds the swirling, fuzzed-out guitars of shoegaze and ’90s alt rock with sophisticated pop melodies that a
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For Glide Magazine, the outlet · Measured Aug 1, 2026
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