HeyJaredJoel McIver
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 11, 2026
- Outlet visibility, for Guitarworld
- Top 50K sites
- Earliest in this view
- Aug 19, 2026
Latest articles
“Don Felder played, and I sat in. It was weird looking out and seeing Harrison Ford, Steven Spielberg and George Lucas looking back at us”: The continuing guitar adventures of Peter Frampton – from Skywalker Ranch to his new all-star solo album (opens the original)
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“People say, ‘You get great guitar sounds’ and I say, ‘Thank you very much,’ because if you give me a bad guitar sound, I sound like a beginner,” says Peter Frampton on a video call from his home in Nashville. The 76-year-old musician knows what he’s talking about, of course, having blown our minds with his guitar prowess for the last six decades – and that experience is audible on Carry the Light, his first studio album in 16 years. Loaded with guitar textures, Frampton’s 19th album ranges from
“David invited me to his hotel. He asked me to go on tour as his live guitarist. I said no”: Robert Fripp on his landmark David Bowie sessions – and why he didn’t join the legendary singer on tour (opens the original)
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I met David socially in 1972 a couple of times. When we played the first King Crimson show at the Speakeasy in London in April 1969, I was told afterwards that David and [his then-wife] Angie Bowie were jiving. I also saw the Ziggy Stardust show at the Rainbow Theatre in Finchley when Roxy Music were in support. I was very impressed with the Ziggy show. It was one of the finest rock concerts I’d been to, which I mentioned to David in Berlin during Heroes. His comment was something like, “You saw
David Bowie’s guitarists on what it was like to play with the Thin White Duke: “I had just come from working with Frank Zappa for a year, and Frank was very directive. David was entirely the opposite” (opens the original)
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David Bowie, who left us on January 10, 2016, was a highly accomplished singer, songwriter, performer and actor, and a fine musician too, although he knew his limitations when it came to musical virtuosity. As he told Guitar Player’s Joe Gore in 1997, “My guitar playing hasn’t moved with the times at all. I use the same chords as always, but I do know a lot of them, and I’m able to put them together in interesting juxtapositions. Any time I did spend being disciplined was learning how chords wor
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