HeyJaredJess Arcand
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 29, 2026
- Outlet visibility, for The Line of Best Fit
- Top 1M sites
- Earliest in this view
- Sep 1, 2026
Latest articles
Dev Lemons: “Damn, this is my reputation – I’m this crazy person” | Interview (opens the original)
Read excerpt
As the “scary short film” content creator pushes into alternative rock for her second full-length album, Dev Lemons reflects on relationships that have long run their course, telling Jess Arcand “don’t ever let a man ruin your life.” Speaking over a video call from a room crowded with odd art and collectibles, Lemons sits before shelves filled with what she affectionately calls “little stuff, little bullshit.” Nearby is an enormous hamburger-shaped rug hanging on the wall, an object she refuses
Slow Pulp: "We have a bunch of songs that did not work and that's kind of the best part" | Interview (opens the original)
Read excerpt
A decade into their collaboration, Chicago band Slow Pulp return to the creative chemistry that first brought them together, writes Jess Arcand. Striking and anthemic, third album Melodie is a coming-of-age record about discovering how growing older sometimes means accepting what you can't always hold onto. Slow Pulp has a habit of making records that soundtrack the changing seasons. Their debut, Moveys, arrived in October 2020 and Yard followed in September three years later. Now, as we fold in
Lonnie Gunn: "Every beautiful thing I’ve ever loved is also so gross" (opens the original)
Read excerpt
New Jersey–born, Brighton-based artist Lonnie Gunn tells Jess Arcand about turning body discomfort into a grunge-pop collection of pretty little horrors on her debut EP 2013 horsemeat scandal. “Every dirty thing is pretty. Every pretty thing is dirty,” Lonnie Gunn shares when describing the beauty of seeing mould up close. What is commonly seen as an ugly fungal nuisance can resemble ice crystals or as she illustrates, “a beautiful painting.” It is an observation that parallels her debut EP, 201
Sofie Royer: "The whole way that society operates and is structured is set up to be anticipatory" | Interview (opens the original)
Read excerpt
Austrian-Iranian artist Sofie Royer tells Jess Arcand how her fourth album before/after confronts the all-too-familiar ways we can become our own biggest obstacle; while finding humour in the endless pursuit of artistic success. On the cover of Sofie Royer’s fourth album, before/after, a boot presses down against her face, pushing her into the dirt. Flip the record over and the perspective widens: Royer is being crushed by the weight of herself, her own hand holding the boot. It initially began
Publishing over time
Last 90 days. Choose a month to open its work.
Recurring subjects
Named in the text we hold. One piece can cover several.
Audience
Top 1M sites
For The Line of Best Fit, the outlet · Measured Aug 1, 2026
Website popularity band, not a count of readers or article views.
About this data
Counts cover the work we have indexed. Tone needs enough text and a confident classification. Excerpts and episode notes are not full articles or transcripts.
Identity or attribution wrong? Suggest a correction.