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Jeff Sanders

Reporter · CA

Indexed articles, last 90 days
3
Latest publication
Sep 15, 2026
Outlet visibility, for The Straight
Top 500K sites
Earliest in this view
Jul 29, 2026

Latest articles

  1. Article · Sep 15, 2026 · Jeff Sanders

    Haute & Freddy prove they're no joke at Hollywood Theatre (opens the original)

    Excerpt · English

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    A good pop act arrives with an origin story, and Haute & Freddy come with two. The first, laid out in the crudely filmed video that opened their set at the Hollywood Theatre on Wednesday, has the pair making a daring escape from the circus. The second is less fanciful but more telling. Before they were Haute & Freddy, Michelle Buzz and Lance Shipp wrote songs for other artists—until they got fed up with watching those artists pass on their best material. So they kept the songs and put on the jes

  2. Article · Aug 27, 2026 · Jeff Sanders

    Angine de Poitrine brings microtonal madness to the Commodore (opens the original)

    Excerpt · English

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    You could say that I went in a skeptic. Not about the phenomenon, which is undeniable. Angine de Poitrine sold out both nights at The Pearl, a room that holds just under 400 people, and when a third date was added at the Commodore, something like 20,000 people reportedly lined up online for tickets. You do not argue with numbers like that. My reservation was narrower: the recent breakthrough album, Vol. II, had struck me as surprisingly one-note for a band that plays this many notes. In some way

  3. Article · Jul 29, 2026 · Jeff Sanders

    Kim Gordon holds court at the Hollywood Theatre (opens the original)

    Excerpt · Critical tone · English

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    "You're Kim fucking Gordon!" yelled an audience member into a gap between songs. She did not acknowledge it. She barely blinked. The band rolled into the next track and the moment passed, which was somehow the most Kim Gordon response available. This year's PLAY ME, Gordon’s third solo album and her second straight collaboration with producer Justin Raisen, is short and fast by design, twelve tracks in under half an hour, trap beats and industrial grime shoved up against a krautrock pulse. It is

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