HeyJaredJames Steffen
- Indexed articles, last 90 days
- 3
- Latest publication
- Oct 1, 2026
- Outlet visibility, for Turner Classic Movies
- Top 100K sites
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- Sep 1, 2026
Latest articles
Sullivan’s Travels (1942) (opens the original)
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John L. Sullivan (Joel McCrea) is a director of such lightweight fare as Ants in Your Plants of 1939 and So Long, Sarong, but he dreams instead of making a socially conscious drama, O Brother, Where Art Thou? He sells the studio executives on the picture and sets out on a trip across the country dressed in a hobo costume in order to learn about the miseries of the poor. The studio, however, sends an entourage of press, a secretary, even Sullivan's manservant and chauffeur to follow him, and Sull
The Lodger (1927) (opens the original)
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All of London is in an uproar due to recent attacks by a Jack the Ripper-style serial killer known as "The Avenger" who targets blonde women. During this time, a pale, hypersensitive stranger arrives at a family-owned boarding house to take up lodging. He becomes attracted to the proprietor's pretty blonde daughter Daisy, who is already engaged to a policeman. Daisy, in spite of her parents' objections, returns the lodger's overtures. When the trail of the killer leads to the same district in wh
Battleship Potemkin (1925) (opens the original)
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The Battleship Potemkin was recognized from the start as a landmark work both for its innovative use of montage and for its sheer power as propaganda. In particular, the "Odessa steps" sequence is arguably the single most famous and widely quoted passage in the history of film. But in a sense The Battleship Potemkin has been the victim of its own effectiveness. Reissued over the years in various censored and reedited versions, Eisenstein's great vision has not been seen for several decades in an
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