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Jacinto Antón

Reporter · ES

Indexed articles, last 90 days
3
Latest publication
Sep 13, 2026
Outlet visibility, for EL PAÍS English
Top 100K sites
Earliest in this view
Jul 17, 2026

Latest articles

  1. Article · Sep 13, 2026 · Jacinto Antón

    Marc Orriols, Egyptologist: ‘Hollywood has done great damage to our perception of sex in Ancient Egypt’ (opens the original)

    Excerpt · English

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    Exactly 20 years ago, a young Marc Orriols surprised attendees at the III Ibero-American Congress of Egyptology held in La Laguna, Tenerife, in Spain’s Canary Islands, with a paper on the sexual habits of Ancient Egyptians, specifically the practice of copulation from behind, based on iconography in graffiti and ostraca (pieces of pottery or stone with drawings). Now, at the VIII congress at the Autonomous University of Barcelona (UAB), Orriols, 51, who now holds a PhD in Egyptology, has once ag

  2. Article · Jul 26, 2026 · Jacinto Antón

    The castle, the cable car and the Nazis: Returning to Schlöss Adler and ‘Where Eagles Dare’ (opens the original)

    Excerpt · Positive tone · English

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    I was surprised to discover how many people I know are fans of the film Where Eagles Dare (1968) and of the author of the story, written directly for the screen, Alistair MacLean, who later turned it into a novel as splendid as the film. Among those who admire Brian G. Hutton’s adaptation and the Scottish author are none other than Michael Ondaatje, the author of The English Patient (a considerably subtler story, certainly), Steven Spielberg, who has cited it as his favorite war picture, and a w

  3. Article · Jul 17, 2026 · Jacinto Antón

    The many faces of cunning Ulysses (opens the original)

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    With Christopher Nolan’s ‘The Odyssey,' Matt Damon becomes the new face of Ulysses, a character whose portrayals stretch from the earliest artistic depictions by the ancient Greeks to his most recent cinematic incarnation — Ralph Fiennes in The Return (2024), by Uberto Pasolini — passing through Kirk Douglas’s iconic Ulysses in Ulysses (1954), by Mario Camerini, and Armand Assante’s in The Odyssey (1997), by Andrei Konchalovsky. Giving a single, definitive face and body to the beleaguered king o

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